I've learned over time that every editor has told me when you're getting that much hate, you don't talk about it. You just kind of don't give it oxygen and let it go away. It's almost - not always, but almost - always the best policy.
I am never happy when I finish a book. I always start feeling good, and then I get to about Page 75 and start losing momentum - and I kind of pull it together at the end, but by then I think it's just all over. It's become almost a running joke among my agent and my editor - I always say that, so they don't take me seriously anymore.
I've discovered over the years that the simplest explanation is almost always the right one; and that hunger of one kind or another - desire, by another name - is the source of almost every sorrow.
Every time I put on high heels, I think: 'Well, I'll fall over today.' Almost always, I don't. Almost. But all high-heel-wearing women live in constant peril.
I've always been drawn more to film. But 'Bloodline,' to me, feels like a 13-hour piece of cinema. And the great thing about Netflix is you get to be almost like an editor. You choose how much of the narrative you want to watch at a time, which makes you complicit in the story.
Honest. It's almost always best to go with honest. It means you never have to worry about getting your story straight.
With Fountains Of Wayne, I almost always start with lyrics - maybe not the entire lyric, but I almost always need a couplet or something, and then I work from there. With Ivy, it's much more about the atmosphere and the vibe.
Faced with the opportunity to become the category of one, we almost always hesitate, almost always compromise, almost always dumb it down to play it a little bit safer
If I've learned anything, it's there's just no drama, which is awesome. I've also just learned to read when it's a good time to talk about something serious and when it's not. And whenever I start to have a conversation with them, and I kind of see their eyes start to glaze over, I'm like, 'Okay, another time is better.' You learn how to compromise and you learn how to read each other. Honestly, being in a band with two guys has prepared me so much for when it's time for me to get married!
I'd much rather talk about guitar playing. I hate it when people ask me about my lyrics. I always feel like telling them to just go and read them.
Men need to be aware of the health of their bodies, as well - prostate cancer and breast cancer are almost on the same level. It's fascinating to me that the correlation between the two is almost the same - people don't talk about it so much, but they are almost equal in numbers.
My relationship with my mom has really evolved since The Hills. We had a very hard time getting through that, and I didn't talk to her for almost two years, but since then we have learned to get over the past and move forward.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
Marley is someone before his time, man. He's - he's almost - he's like a deity, like almost, you know what I mean? I just talk about what's going on, but of course, you know, Bob, before rappers, was already laying that kind of thing down.
Over the years, I've had teammates who decided to hang it up and I would ask them how they knew when it was time to walk away. The answer was almost always the same: You just know.
I really love it, I love working with directors that are very collaborative and allow me input. I've done over 75 films, it's just like you're an apprentice. You learn so much about camerawork, lenses, and I'm always talking about DPs and directors and they always give me lists. I think pretty soon, I'll be ready to move away from being in front of the camera.
Even when I was young I wanted to be an actress. I knew the actors and the paparazzi. It was just kind of always in my landscape. It was never directed at me, but it was always somewhere so I could see how it operated and I could see it from afar and go 'Wow, that's not really glamorous, it's kind of exhausting not having any privacy.' So it was never something I pursued. The first time I saw the billboard for Pretty Little Liars I almost got into a car accident!