A Quote by Joey Jordison
Slipknot's not about who's in the band. It's a lifeblood. It's a force. It's about a connection between a bunch of people.
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I have a ton of Slipknot demos that I have at home. Maybe some day they'll surface; maybe they'll never be heard, but I don't translate them to any other band: they still stay in the Slipknot safe. I won't use them for anyone else besides Slipknot, if that ever happens again.
There's something undeniably oxymoronic about a 'successful' rock n' roll band. Who wants to hear a bunch of success stories whining about their success? More importantly, what can be the drive behind a band, what can they have to rage against when they are successes? That's a dichotomy every successful band wrestles with.
When we talk about economic growth, we're not talking about bringing a bunch of companies in that can make a bunch of bucks and hope they spend 'em in our city. We're talking about creating jobs, creating new companies and then we move from there to talk about cooperatives which can become some of those jobs, some of the solidarity economy where we can begin to band together people so they'll understand that a job is not a single individual affair but a collective affair.
Much is made of the accelerating brutality of young people's crimes, but rarely does our concern for dangerous children translateinto concern for children in danger. We fail to make the connection between the use of force on children themselves, and violent antisocial behavior, or the connection between watching father batter mother and the child deducing a link between violence and masculinity.
A lot of us in Slipknot, we get to go to wounded soldier hospitals where soldiers have lost their limbs. That's surreal. It's even more surreal to talk to them about your band. They're talking to you about war and losing their limbs, and at same time, they're talking about their favorite album, these kind of things.
People that like Slipknot that could care less about Stone Sour, people that like Stone Sour that don't know a lot of Slipknot.
The connection between art and Christ is like the connection between sunlight and the sun. It is, in fact, the connection between Sonlight and the Son.
Romance is something people make fun of others for caring about, and yet it’s something that’s very natural to care about—it’s a loving connection between people, like family and friendships: it’s a significant emotional choice people make.
To me, it's never about the trick. I don't care about how something works. I care about how people feel when they watch it. You know, that - that connection - that emotional connection is true magic.
We care about equality and democracy within the band and outside the band. For us life is about cooperation and solidarity, not about egotism, greed, or competition. This means that we prefer to work with people and bands that have a similar sort of mentality and attitude.
Politics - I still think it's a bunch of liars and a bunch of self-interest. It's not about the people: it's about themselves and their rise to power. They are voting on things based on whether they will have the support of the people when they vote next time. They don't have the balls to say, 'I believe in this. I don't care what happens.'
I think we're a little bit protective in that way. You're always trying to balance between what's spreading the word about the band and what's good money and what's a shitty look. Is this good for the longevity of the band? Do people even care these days? We care, but do we care more about the money? We've had a lot of discussions about things. It gets us into a lot of fights, but it also makes you question your own morals in a really good way.
With the recession, people are having to choose between their cable and their internet connection. And think about it.
Remember, in the heyday of vitalism, people said that when all the data are in about cells and how they work, we will still know nothing about the life force - about the basic difference between being alive and not being alive.
We still talk about [school band]. Almost 40 years later. It's like people are talking about, "Man we need to have a morning band reunion".
I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.
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