A Quote by Johann Hari
The greatest trick the rich - and their cheerleaders on the right - ever pulled was convincing the world that class didn't exist. Out here in the real world, it is more real and more rigid than it has been for a century.
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Son, the greatest trick the Devil pulled was convincing the world there was only one of him.
The greatest trick the devil ever pulled was making us believe that he's not real.
The greatest trick that the devil ever pulled
Was convincing women that they looked
Better in their makeup
The supernatural world has always been more real to me than the real world.
Phonogram was explicitly about our world. It’s a fantasy which is happening around us all, unnoticed except for those who’ve fallen into its world. In a real way, it’s real. Conversely, W+D is much more overt. The appearance of the gods changes the world, and has changed the world going back. There’s the strong implication that certain figures in our world simply didn’t exist in The Wicked And The Divine‘s world, because they were replaced by a god.
When I'm in the middle of a book it can go up from there. When you're putting in those hours, the real world kind of fades and the world you're creating becomes almost more real to you than the outside world.
I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
I like living in the 20th century... to me the world has never been more beautiful. I am trying to paint the real world I live in, as beautifully as I can with my own eyes.
Hollywood is a strange place. The class structure here is more rigid than almost anyplace I've ever experienced. It's made more difficult by the fact that it's constantly changing. You never know what class you belong to unless you're one of the two or three people that have been in the same echelon for a long, long time.
A book had always been a door to another world... a world much more interesting and fantastical than reality. But she had finally discovered that life could be even more wonderful than fantasy. And that love could fill the real world with magic.
Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!
I think a painting is more like the real world if it's made out the real world.
Every country has rich people. But only a few places have achieved a vibrant and stable middle class. And in the history of the world, none has been more vibrant and more stable than the American middle class.
Business students are very oriented to playing a role in the real world and accomplishing something, not training themselves to be scholars and contribute to the literature. Teaching in that kind of environment has focused me much more on the real world, how pieces of the theory I know can be applied to real-world situations.
It's one thing to skip class to play poker, but if I'm learning how to think in the real world playing poker, then maybe that's more valuable than a college education could've been.
You are not in the world...the world is in you," what did he mean? [That is, you are not in the world," that is, there is no "you" that is real or in any world. "The world is in you" means that the world is in your "mind" and is nothing more than a figment of your programming-and-conditioning-induced imaginings.]
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