A Quote by Johann Kaspar Lavater
He who has no taste for order, will be often wrong in his judgment, and seldom considerate or conscientious in his actions.
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The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance.
The vices of man, as full of horror as one might suppose them to be, contain the proof (if in nothing else but their infinitely expandable nature) of his taste for the infinite; only, it is a taste that often takes a wrong turn.
The order of the world is always right - such is the judgment of God. For God has departed, but he has left his judgment behind, the way the Cheshire Cat left his grin.
In a world where it is so easy to neglect, deny, corrupt and suppress the truth, the scientist may find his discipline severe. For him, truth is so seldom the sudden light that shows new order and beauty; more often, truth is the uncharted rock that sinks his ship in the dark.
This is the essence of God's sovereignty; His absolute independence to do as He pleases and His absolute control over the actions of all His creatures. No creature, person, or empire can either thwart His will or act outside the bounds of His will.
An actor is totally vulnerable. His total personality is exposed to critical judgment - his intellect, his bearing, his diction, his whole appearance. In short, his ego.
It behooves us always to bear in mind, that while actions are always to be judged by the immutable standard of right and wrong, the judgments which we pass upon men must be qualified by considerations of age, country, station, and other accidental circumstances; and it will then be found that he who is most charitable in his judgment is generally the least unjust.
A man of variable mind is not one man, but several men in one; he multiplies himself as often as he changes his taste and manners; he is not this minute what he was the last, and will not be the next what he is now; he is his own successor.
Why prove to a man he is wrong? Is that going to make him like you? Why not let him save face? He didn't ask for your opinion. He didn't want it. Why argue with him? You can't win an argument, because if you lose, you lose it; and if you win it, you lose it. Why? You will feel fine. But what about him? You have made him feel inferior, you hurt his pride, insult his intelligence, his judgment, and his self-respect, and he'll resent your triumph. That will make him strike back, but it will never make him want to change his mind. A man convinced against his will is of the same opinion still.
All that is observable in a man-that is to say his actions and such of his spiritual existence as can be deduced from his actions-falls into the domain of history.
It is not the man who is beside himself, but he who is cool and collected,--who is master of his countenance, of his voice, of his actions, of his gestures, of every part of his play,--who can work upon others at his pleasure.
One will seldom go wrong if one attributes extreme actions to vanity, average ones to habit, and pretty ones to fear.
Conscience signifies that knowledge which a man hath of his own thoughts and actions; and because, if a man judgeth fairly of his actions by comparing them with the law of God, his mind will approve or condemn him; this knowledge or conscience may be both an accuser and a judge.
The world is full of men who want to be right, when actually the secret of a man's strength and his pathway to true honor is his ability to admit fault when he has failed. God wants to fill the church with men who can say they are wrong when THEY ARE WRONG. A man who is willing to humble himself before God and his family and say: "I was wrong." will find that his family has all the confidence in the world in him and will much more readily follow him. If he stubbornly refuses to repent or admit he was wrong, their confidence in him and in his leadership erodes.
For although a man is judged by his actions, by what he has said and done, a man judges himself by what he is willing to do, by what he might have said, or might have done—a judgment that is necessarily hampered, not only by the scope and limits of his imagination, but by the ever-changing measure of his doubt and self-esteem.
You can tell a man's taste in literature by his judgment in knowing what not to read.
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