A Quote by Johann Wolfgang von Goethe

Art rests on a kind of religious sense, on a deep, steadfast earnestness; and on this account it unites so readily with religion. — © Johann Wolfgang von Goethe
Art rests on a kind of religious sense, on a deep, steadfast earnestness; and on this account it unites so readily with religion.
The passion for art is, as for believers, very religious. It unites people, its message is of common humanity. Art has become my religion - others pray in church. It's a banality, but you don't possess art, it possesses you. It's like falling in love.
All real art is, in its true sense, religious; it is a religious impulse; there is no such thing as a non-religious subject. But much bad or downright sacrilegious art depicts so-called religious subjects.
Art is based on a strong sentiment of religion,--on a profound and mighty earnestness; hence it is so prone to co-operate with religion.
I have a great deal of religious symbolism in my stories because I have a very deep sense of religion and also I have a religious training. And I suppose you don't say, `I'm going to have the flowering judas tree stand for betrayal,' but of course it does.
It was then that my religious consciousness emerged to flower years afterward into definite forms of religious dancing in which there is no sense of division between spirit and flesh, religion and art.
(...) contemporary art has become a kind of alternative religion for atheists. (...) For many art world insiders and art aficionados of other kinds, concept-driven art is a kind of existencial channel through which they bring meaning to their lives. It demands leaps of faith, but it rewards the believer with a sense of consequence. Moreover, just as churches and other ritualistic meeting places serve a social function, so art events generate a sense of community around shared interests
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
Art is not a substitute religion: it is a religion (in the true sense of the word: 'binding back', 'binding' to the unknowable, transcending reason, transcendent being). But the church is no longer adequate as a means of affording experience of the transcendental, and of making religion real - and so art has been transformed from a means into the sole provider of religion: which means religion itself.
Art and Religion are, then, two roads by which men escape from circumstance to ecstasy. Between aesthetic and religious rapture there is a family alliance. Art and Religion are means to similar states of mind.
Religion is not in want of art; it rests on its own majesty.
The zealous disdain for religion in American jurisprudence amounts to intolerance. Keith Fournier of the American Center for Law and Justice concludes that 'the ones not being tolerated are religious people who dare make any kind of religious reference or take any kind of religious posture outside the private arena.
I live in a country where 90 or 95 percent of the people profess to be religious, and maybe they are religious, though my experience of religion suggests that very few people are actually religious in more than a conventional sense.
In the absence of organized religion, the only vehicle for redemption is art - not just the fragmentary arts of painting or music or poetry, but the kind of art that creates a whole world in itself and in that world we see ourselves reflected and see our religious life perfected.
Religion is usually nothing but a supplement to or even a substitute for education, and nothing is religious in the strict sense which is not a product of freedom. Thus one can say: The freer, the more religious; and the more education, the less religion.
The religious conflicts of the Reformation era were never simply and only about religion, because religion during this era as in the Middle Ages that preceded it, informed and was meant to inform every domain of life. Violence involving religion and touching other areas of life took many forms: from the Protestant destruction of Catholic religious art and objects in iconoclasm, to Catholic executions of Protestants who refused to renounce their views, to major destructive conflicts such as the French Wars of Religion and the Thirty Years' War.
I found it amazing people can think that art must be connected to religion. Religion may give art themes, but there would still be art without religion. Bach is not proof that art exists.
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