A Quote by Johannes Brahms
Reviewer: 'One of your themes was very similar to one of Beethoven's!' Brahms replied, 'Of course it is. Everyone steals - the important thing is to do it brilliantly.
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...stories about [the German composer Johannes] Brahms's rudeness and wit amused me in particular. For instance, I loved the one about how a great wine connoisseur invited the composer to dinner. 'This is the Brahms of my cellar,' he said to his guests, producing a dust-covered bottle and pouring some into the master's glass. Brahms looked first at the color of the wine, then sniffed its bouquet, finally took a sip, and put the glass down without saying a word. 'Don't you like it?' asked the host. 'Hmm,' Brahms muttered. 'Better bring your Beethoven!'
We always talk about how everyone is unifocal. You can't possibly be interested in jazz and Beethoven. Of course you can. You can't both be reading a newspaper and be online. Of course you can. We shouldn't be obsessed with a gun to your head, 'You either read a newspaper or die!'
After working with Ligeti I began to hear Brahms and Beethoven differently.
The three greatest composers are Bach, Beethoven, and Brahms. All the others are cretins.
Any underrepresented audience loves to see themselves on TV, but what's more important is that we're writing about universal themes - good versus evil, can you change yourself? These themes resonate for everyone.
If someone steals your password, you can change it. But if someone steals your thumbprint, you can't get a new thumb. The failure modes are very different.
Even if you're playing Brahms or a Beethoven concerto, you've got to have a different vantage point, slightly, each time.
Capote, of course, addressed very similar themes to Good Night and Good Luck. Both films are about determined journalists defying obstacles in a relentless pursuit of the truth. Needless to say, both are period pieces.
We'll win, of course," he said. "You don't want that," said the demon. "Why not, pray?“ “Listen," said Crowley desperately, "how many musicians do you think your side have got, eh? First grade, I mean." Aziraphale looked taken aback. "Well, I should think-" he began. "Two," said Crowley. "Elgar and Liszt. That's all. We've got the rest. Beethoven, Brahms, all the Bachs, Mozart, the lot. Can you imagine eternity with Elgar?
To my mind and ear, there is simply nothing that compares to the musical sophistication of a late Beethoven, Bartok, Schubert or Brahms work for minimal forces.
Laszlo Kovacs was marvelous. He was very much in the same school as Bill Frake, who was, of course, a great cinematographer as well. They had a very similar style and similar sensibility.
Listening to my regular favourites - Mozart, Beethoven, Brahms and so on - I always feel, quite misguidedly, that nothing can be too bad if such beauty and brilliance exists in the world.
And that's very important, too, 'cause a lot of people just assume everyone's a Democrat, or everyone's a Republican or whatever, and they're not. And that's a really important thing to adhere to.
If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that.
I knew that I was loved. And that's such an important thing. And, of course, at such an early age, you take it for granted. Of course your parents love you. Of course Mrs. Hubert across the street loves you and your godmother loves you and your grandparents love you.
The real Brahms is nothing more than a sentimental voluptuary. rather tiresomely addicted to dressing himself up as Handel or Beethoven and making a prolonged and intolerable noise.
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