A Quote by John Baldessari
I was teaching live drawing in a community college and students started zoning in on the face and spending a couple of hours on that and then putting the rest of the body on the face only in the last hour. It didn't work to just tell them, 'Well, you're really not thinking of the body as a totality.' So in desperation I would put a drape over the model's head so they couldn't see it. They had to draw the body and then at the end of the session for an hour I would take the drape off just to try to reverse their procedure.
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What I recommend is this: after you've talked to everybody, go take a nap! Take a nap. Your body really needs to sleep. It's like washing your face. If you can't afford a three-hour nap, do a one-hour nap. If you can't afford a one-hour nap, do half an hour. If you can't afford half an hour, do fifteen minutes.
I had a few months of physical prep where I was training six hours a day - I was doing an hour and a bit of yoga, I would do a couple hours of cardio and weight-lifting, and then I would do an hour or maybe two of martial arts training.
I wanted to swallow myself by opening my mouth very wide and turning it over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is how I see the end of the world.
What happened with cancer was that I just became a body. There was nothing else but body for a month. I was chemo'd and operated on and cut and poked. At first it was really horrifying and scary, and then it was just,Wow. You're in your body. This is body!
Work like hell. I mean you just have to put in 80 to 100 hour weeks every week. [This] improves the odds of success. If other people are putting in 40 hour work weeks and you’re putting in 100 hour work weeks, then even if you’re doing the same thing you know that you will achieve in 4 months what it takes them a year to achieve.
I definitely did not like my body when I first started sports. I didn't like my body just in general as a teenager. Being a girl and a teenager with two prosthetic legs and two hands that were misshapen that had so much reconstructive surgery on them, I thought my world was over - put a zit on top of that, and then my life is completely over.
I keep thinking that if I could just unzip my skin, step out of this body, then I would see who I really am.“ She nods her head slowly. „What do you think you‘d look like?” “Smaller, for a start.
I actually had a buzz cut all the way to my junior year in college. I would just buzz my head with a one-guard all over, and then I started growing it out. When I had Tommy John, that was the last time it was buzzed. I've grown it ever since then.
It [the memoir "In The Body of the World"] wrote me. I joke about it, but this book was so unusual. It just started to come out. I really feel like it came straight from my body. I think it was both an expression of what I had gone through, but also it just felt like everything had come together in my body and it needed to tell that story.
I try to do romantic gestures all the time. For instance, this morning I work up early -- earlier than I would have normally liked to have woken up. Elizabeth [Chambers] was still asleep, so I just laid in bed and cuddled with her for an hour. I just ran my hands over her body. It was nice.
You’re just using me for my body.” “You don’t have a body,” I’d remind him. “Throw that in my face.” “Technically, you don’t have a face either.
I've had a couple tapes out and they weren't really tapes, it was just some songs that I had made, and then I would throw them together as a compilation and put a name on it. And then when I would release my next thing, I would just delete it.
It's not just women in film, 18-year-old girls feel pressure to do preventative injecting. I see someone's face, someone's body who has had children and I think, they're the song lines of your experience, and why would you want to eradicate that? I look at people sort of entombing themselves and all you see is their little pin holes of terror... and you think, just live your life, death is not going to be any easier just because your face can't move.
My grandparents were classic Indian grandparents. My grandmother would put so much powder on her face that it was like a Kabuki play and she'd come down the stairs. I was like 8 or 9 years old. My grandfather apparently had no teeth because he would take out his teeth and put them in a glass, and then he would try to scare me with it. I started to try to scare them when I was a little older.
The main criticism that I get is, 'Aren't you just conforming to a patriarchal standard of beauty?' Well, this is just the body I was given. I didn't do anything to it - it's just my body. But even if I had altered it, that would be fine, too.
To have that radical a mind in that bourgeois-looking body was really hard for a lot of people to take, because, when my mother would want to have people over she'd tell [my father], "Don't start with the gravity stuff." And then he would invariably do this and the guests would look at each other and say, "Well, I think it's time to go now."
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