A Quote by John Barrowman

When I was a kid growing up in the States in the late '70s and early '80s, as soon as 'Dallas' came on on a Friday night on CBS at 9 P.M., we stopped everything from that moment on as a family.
When I was growing up in L.A. in the late '70s and early '80s, Michael Jackson's was the first face on TV that looked like mine.
When I was growing up in South Korea in the '70s and early '80s, the country was too poor to buy original records. Everything was bootlegged.
I remembered being young in the late '70s and early '80s and growing up at the height of the Cold War. I remembered how scared I was of nuclear weapons, how often I though about them and about the possibility of everything and everyone I knew vanishing in a second in temperatures hotter than the centre of the sun.
I was really into the bimbo archetype that filled late 80s-early 90s TV when I was growing up. You know, women circling the want ads with nail polish, Rhonda Shear from 'U.S.A. Up All Night,' Peggy Bundy.
I was a big fan of X. I've probably seen 100 X shows during their time in the late '70s and early '80s.
I was a child of the '60s basically, which is a real blank. I really started growing up, I think, in the '70s. I'm a glam-rock kid. But Dublin, Ireland in those days was a very dark place, as in it was a very poor, almost third world. Economically, the whole world is going through a recession at the moment. In the '60s, '70s, and the '80s in Ireland was a real recession. It wasn't a pleasant place.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
My family has existed in eastern Kentucky for as long as there are records. If you're familiar with the famous Hatfield-McCoy family feud back in the 1860s, '70s and '80s in the United States, my family was an integral part of that.
I've never been overexposed or in people's faces, although there are some who argue that in the late '70s and early '80s, I was played a lot!
I grew up watching Cinemax, the late-night Cinemax of the '80s and early '90s.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
The innovations are changing now, drastically. I remember coming to Toronto from Vancouver, and on any given night in the '70s, '80s and early '90s, everything was closed at ten o'clock. There was no drinking on Sundays. Unless you stayed at a hotel, then you could get a drink.
I always was an early-morning or late-night writer. Early morning was my favorite; late night was because you had a deadline. And at four in the morning, you make up some of your most absurd jokes.
There's a focus that hasn't been there for ages and ages and some American bands are sounding quite English like they did in the late 70s and early 80s.
You know, I always was an early morning or late night writer. Early morning was my favorite; late night was because you had a deadline. And at four in the morning you make up some of your most absurd jokes.
When my parents were divorced in the late '70s, early '80s, the climate was that you should screw over your ex as much as possible - get the worst lawyer in the world, all that. That's not what people are out to do anymore. It feels cruddy to try and destroy each other just because you're breaking up.
This site uses cookies to ensure you get the best experience. More info...
Got it!