A Quote by John Boyega
You have to realize that for some of these people - definitely me when I was growing up - you treat every day like it's your last, because that's the reality of your situation. You never know when someone's going to go, because you're living in a war zone. It's almost like you're in a jungle, and you're just waiting for the predator to catch everybody one by one. So everybody cherishes each other. Instead of calling people the n-word, you're calling people "loved one." There is a level of appreciation for brothers and sisters in the hood.
Quote Topics
Almost
Appreciation
Because
Brothers
Brothers And Sisters
Calling
Catch
Day
Definitely
Each
Every
Every Day
Everybody
Go
Going
Growing
Growing Up
Hood
Instead
Jungle
Just
Know
Last
Level
Like
Like You
Living
Loved
Loved One
Me
Never
Other
People
Predator
Reality
Realize
Sisters
Situation
Some
Someone
Treat
Up
Waiting
War
War Zone
Word
Your
Zone
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Don't be afraid to be yourself just because you're not like everybody else in class. If you want to dye your hair green and that's what makes you happy, then dye your hair green, no matter what other people might say about it. Not everybody is going to like you - that's the world we live in; that's reality.
The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
Some people believe that to find happiness, you should live each day of your life as if it's your last because that way you will appreciate every single moment you have. Other people believe that you should live each day as if it's your first because then every day can be the beginning of a new journey.
Keep everybody out your business, that's how you do it. And I mean everybody. It ain't about having a relationship outside of the house. It's about having a relationship within each other. When something go down don't be calling your sister or your mother; I'm not gonna be calling my brother or uncles. We're gonna work it out.
Most people I talked to, they'd be like, your first is your worst, because you go on and everybody's probably done more than you, so you get that sense that they're on a whole different level. But they just made me feel like a piece of the family.
Television itself is an intimate medium. It's in your house. You're visiting with these people... Not everybody's going to like it, just like not everybody likes everybody on the playground. I mean, that's life - especially if your job is to just go out there and be yourself.
When you have people who are embarrassing themselves for a living, who are making themselves look foolish and vulnerable and emotional for a living, your day-to-day reality is going to be a high-wire act. People are going to get in fights. People are going to get upset. People are going to walk off set. People are going to call each other names. It happens on every film that has any emotional people.
Going to the office of some stranger and waiting in a line, in a hallway, with five other guys who look just like you, waiting your turn to go in and embarrass yourself, and then waiting around for feedback, which never comes. I really like that. For a young artist, it seems like the perfect thing to be doing, humiliation, over and over and over and over. Which I'm sure can't be the way that some people look at it, but I thought that was so great. The point of it is if you make your own stuff you don't have to deal with other people's bullshit.
My support group - my mom, my dad, my sisters, my brothers-in-law, my immediate nieces and nephews, my immediate family like Aunt Donna - I know I can trust them. Most of the other people...they never called me before, they never said "I love you" before, they never wanted to take a picture with me at family reunions. It's like, don't do it now...You win the lottery and all of a sudden everybody's your best friend.
I'm kind of tired of chasing people, calling out everybody because I always do that. All I can do right now is be the guy to beat everybody else, so there's no more people that they can go and try to run and make fights and situations happen for them that we're allowing.
A song is not going to change this damn world. Instead of making people mad about this shitty situation, it's going to make everybody happy. It's a false thing. It's like a lullaby as opposed to a gun. People need to be slapped into reality and music just doesn't do that.
I think the Oscar So White campaign really sparked ... Because you didn't want to be the Oscars, so everybody in Hollywood was like, well, before the heat comes down. The Golden Globes diversified. Just everybody ended up diversifying as far as handing out awards to more diverse folks in Hollywood because at the end of the day, it doesn't matter what your race is. If you're waking up every day and you're doing the work, you deserve an opportunity to be awarded like everybody else.
If people like us, our life is good. If somebody doesn't like us, our whole life is tanked. That happens at your job, especially in church ministry. It seems like everybody's your boss sometimes. You're trying to keep everybody happy and pretty soon you realize you're filling yourself up with other people's opinions of you. That's a dangerous place to live.
It was the world of Southern, rural, black growing up, of folks sitting on porches day and night, of folks calling your mama, 'cause you walked by and didn't speak, and of the switch waiting when you got home so that you could be taught some manners. It was a world of single black older women schoolteachers, dedicated, tough; they had taught your mama, her sisters, and her friends. They knew your people in ways that you never would and shared their insight, keeping us in touch with generations. It was a world where we had a history.
I'll tell you how you know when you're on something good: when everybody starts to tear up when they're leaving, when they're wrapping for the season. You know, when you say, "All right, we're done with McGillicuddy. That's a wrap for McGillicuddy!" And everybody applauds, but everybody's sad, because McGillicuddy's going to be gone! You know, it's like family going off to college or war. You have this intimate relationship with these people, and then - bam! - they're gone.
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