A Quote by John C. Bogle
I would always advise young people to follow their star - not my star. They have to live their own life. If they decide they want to go into the investment business, do it, but make it a better business than it is today.
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You know when there's a star, like in show business, the star has her name in lights on the marquee! Right? And the star gets themoney because the people come to see the star, right? Well, I'm the star, and all of you are in the chorus.
Indeed, follow your star if you want to head north and it's the North Star. But if you want to head north and it's Mars, you had better follow somebody else's star.
The hardest thing about being in this business is just being able to be yourself. People act like there's this one set of rules to follow to be a pop star and I think, 'Well, you say I'm a pop star, so maybe that's not true.'
For a long time, the film business was a single-digit business on investment return. Now, because of home video, it's a low double-digit business, and the studios want to make sure it doesn't go back into the single-digit business.
The most important thing is that you make sure you follow the music, which is a musician's way of saying follow your heart. The two things are intertwined. You know, when you even mention the phrase "music business," the older you get, the sourer it sounds. It's a terrible business, you know. Music and business have nothing to do with each other; there's no correlation, so it's always a rub. I would encourage people, don't be swayed by the music business. If you're truly, in your heart, a musician, stay one, and let the business find you.
In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star ... Today people can idolize a star in one area and forget about him in another. A big rock star might sell millions and millions of records, but then if he makes a bad movie ... forget it.
I'll always have this blue-collar connection. For every guy, there is an opportunity to be a lot better than he thought he could be. We can't all be the star of the team, but we can be a star in our life.
People call me a movie star. If you're in the business, a movie star is someone who can make a film bankable. My name and $6 million will make a $6 million movie. I'm a working actor. Because I started late, I had a very short run as a leading man, and my films didn't make money in America.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
I want to be the best actor that I can be; I want to be working in this business absolutely, and if that means being a movie star, then OK, that's fine. But to me, movie star, celebrity, all that stuff means something very different than being an actor.
The record business is an oxymoron. In the 1960s, there was an upside to selling plastic discs so labels took the risk - they paid for the record, for marketing, promotion, publicity, everything it took to make the artist a star. But now we have to go back to the venture capital model. The business is stopping and everyone's complaining but you can't blame labels. It's a shitty business. You do it because you're passionate, or because it's what you've always known. But if you lived through the nineties, nobody is thinking this is great compared to what it used to be.
They say that even the brightest star won't shine forever. But in fact, the brightest star would live the shortest amount of time. Feel free to extract whatever life lesson you want from that.
I was put into this business by my parents as soon as I could walk. I was groomed by them for this business. I didn't wake up at the early ages of 5 or 6 and say I want to be a star.
As a human, yeah, it's awesome. You grow up and you are in Little League, and you want to make the all-star team; you go to college, and you want to make the all-star team. So any normal person would want to do it on the biggest stage and highest level. And I'm a normal person. I haven't changed there.
I should say in general the advantage of education is to better fit a man for life's work. I would advise young men to take a college course, as a rule, but think some are just as well off with a thorough business training.
It is essential that we put an end to steroid abuse and set a better example for aspiring young athletes to follow, so that some day, when they make it in the All Star Game, it will be because of their own natural talents, and not because of a performance enhancing product.
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