A Quote by John Cariani

The big turning point came when I played in the pit orchestra for a production of SWEENEY TODD and I spent most of the time watching the play instead of playing the score! And that's when I knew I had it bad for acting.
I kind of did this thing in high school, a spoof of 'Sweeney Todd' called 'Shirley Todd,' and I had a great time doing that.
I have always wanted to play Sweeney in 'Sweeney Todd.'
I knew I could play well on the grass, but I really played so well today. I knew exactly what I had to play to beat her. I just did everything I could in the moment. I was very focused for every point. I knew that I had to go forward for every shot I was playing to push her back, and yeah, I did it.
The turning point in my career came with the realization that Black should play to win instead of just steering for equality.
I'd have to say that "Mr. Crowley" in my most memorable solo... I had spent hours trying to figure out a solo for the song ... Ozzy came in and said "it's crap - everything you're playing is crap" .. he told me to get in there and just play how I felt. He made me really nervous, so I just played anything. When I came back to listen to it, he said it was great.
If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?
We came to a great country like Canada that took us in, which is amazing looking back at it. At that time, I didn't know if I wanted to play soccer or not. I didn't know what I was supposed to do with my life, but once I came to Canada and started watching it on TV, my dad and brother played and watching them play, I wanted to do that too.
I'm a big fan of revenge, I think [Sweeney Todd] it's a story of a man who clearly has obsessions to avenge the horror that happened to him.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; we've become the most famous bad orchestra in the world.
Over the years, I played with a couple of spectacular guitar players, and playing with them has made me play better than I knew how to play. I hope the same thing is true with acting.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; weve become the most famous bad orchestra in the world.
I'm a natural piano player. So all the practicing I do at this point is in my head. If I don't play for a year, my chops aren't going to get any worse. I've spent my time playing scales, and I don't necessarily want to play any faster than I play. So everything I do at this point is more philosophical.
That's the only show where, if anyone says to me, 'Is there a role you want to play?', I say, yeah, I want to play Sweeney Todd. Stephen Sondheim's so clever; it's a profoundly brilliant piece of work.
I don't stop. It's my nature. People have to tell me to slow down. I plan on playing every role on Broadway. I want to do 'Evita.' I want to do 'Sweeney Todd' with Chris Colfer. We want to do 'Wicked.' I'll be Elphaba and he wants to play 'Guy-linda.' I want to do movies, make music. 'Glee' is only the beginning.
When I was four, we had to choose a musical instrument to play at school, and I chose the cello. I played until I was 18, and although I found it nerve-racking to play solo, I loved playing in an orchestra. When I left school I didn't carry on with it, which I regret.
When I first came to Oregon, the annual amount spent on production was $1 million to $1.5 million. By the time 'Leverage' was done, there had been over $100 million in production that year.
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