A Quote by John Cho
The show definitely has a romantic construct, and that's a genre that I've never had access to, in a significant way. This interesting for me to see, as an Asian guy, just standing back. I just wanted to break my way into a different genre. I was tickled that it was offered to me.
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The whole idea of genre and categorising films is a critic's construct. For me, I just try and make stories and see where they go, but there's nothing wrong with horror; there's nothing wrong with romantic comedies.
I never wanted to stay in one genre; I never wanted to be pigeon-holed or defined as the actor who only worked in one genre. I want to be able to work in all different genres. For me it's fun, and that's how I grow as an actor.
Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
I really feel our job as actors is to find a human experience in the character. So, for me, genre comes second; it's about script and the emotional journey of that character. Genre definitely has an impact, but it has more of an impact on the way the character is expressed. We all have the same core emotions of love, jealousy, rage - it's just how they're expressed.
Being black, Latino, or Asian is not a genre. Romantic comedies, thrillers, action - those are genres. I think there's a lot of people who want to have the conversation. I don't think people are afraid of it, I just think it's the time to have that conversation. Race is not a genre.
I'm just different. There are a handful of different types of genre of music that I would love to just jump into and people don't realize that I'm really good at those things. They just know me as Tony Sunshine, the guy that sang the hooks for Terror Squad.
I think romantic comedy, when done right, is my favorite genre. It's just a genre that's very human.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
I just wanted to make sure that yes, that those horror - they worked as a genre. To me, I just wanted to be touched by the film in the way that I saw plausible. Which is the story about compassion - giving and receiving it in those desperate times of need.
I always wanted to make the matches in some way different unique and interesting. I never wanted to have that basic match. I just wanted us to stand out in some way or another, whether it was storytelling or interesting wrestling moves.
The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.
Coming to Australia, it was just really magical for me. It just had the wow factor of a different sort of place and, more so, just being with a family that wanted to love me and to have me, because I knew back then, before coming to Australia, there was no way of getting back home or finding my real family.
The genre I listen to the most is salsa, so people look at me and see this guy who's done mostly romantic ballads, but there's always been this other side.
I'm not seeking out genre films, but this just came my way, and Miramax was good enough to add a role for me because we wanted the chance to work together.
Truth is, I love all the horror guys and girls: Gord Rollo, Shirley Jackson, Harlan Ellison, Ramsey Campbell, Dan Simmons, Thomas Ligotti. Each one of them brings something wonderfully different and, because I love the genre, I love those who love the genre, too. And I hope the genre ends up loving me back.
I see myself as attempting to break ground. I definitely am trying to create my own genre here... I'm attempting to tell stories in a very new and entertaining way.
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