A Quote by John Cooper Clarke

Lyrics became important for a while in the late Seventies. Patti Smith was a poet and a rock star, as much one as the other, the distinctions were a bit blurred and then you get swept up in it. Punk poet, it's a good enough term.
I'm not a rock star writing poetry. I don't feel like a rock star and I don't know what one is, actually. I'm a goalie/poet or a hotel guest/poet or a father/poet.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Why do people want to know exactly who I am? Am I a poet? Am I this or that? I've always made people wary. First they called me a rock poet. Then I was a poet that dabbled in rock. Then I was a rock person who dabbled in art.
If I were to have a dream job, it would probably be a poet. Then again, I don't think I'm a very good poet!
There were a lot of people doing new and interesting things with rock. But I wanted to take it farther than that. My real influence was punk. I must have listened to the first Patti Smith album 300 times.
So, I've never been politically correct, even before that term was available to us, and I have really identified with other people who don't want to be read as just a black poet, or just a woman poet, or just someone who represents a cause, an anti-Vietnam war poet.
It's very important to me to be an American poet, a Jewish poet, a poet who came of age in the 1960s.
All poetry has to do is to make a strong communication. All the poet has to do is listen. The poet is not an important fellow. There will also be another poet.
I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.
There is this tendency to think that if you could only find the magic way, then you could become a poet. "Tell me how to become a poet. Tell me what to do." . . . What makes you a poet is a gift for language, an ability to see into the heart of things, and an ability to deal with important unconscious material. When all these things come together, you're a poet. But there isn't one little gimmick that makes you a poet. There isn't any formula for it.
The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.
I think my biggest muses in fashion are probably rock 'n' roll girlfriends, like Anita Pallenberg and Marianne Faithfull and Bianca Jagger - and then maybe Patti Smith a bit as well.
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God, Patti Smith!" So I looked at some Robert Mapplethorpe books and I recognized those pictures.
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
I'm a political poet - let us say a 'human' poet, a poet that's concerned with the plight of people who suffer. If words can be of assistance, then that's what I'm going to use.
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