A Quote by John Logan
Everything about 'Hugo' to me is poignant, from the broken orphan to the old man losing his past to the fragility of film itself.
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We call that person who has lost his father, an orphan; and a widower that man who has lost his wife. But that man who has known the immense unhappiness of losing a friend, by what name do we call him? Here every language is silent and holds its peace in impotence.
Friar Hugo, old friend, brace yourself. I am the bearer of tragic news!" Alarm spread across Hugo's pudgy features. "Tell me, Jess. What dreadful thing has happened?" Jess spoke haltingly in a broken voice. "I fear that Cluny has tore up one of your oldest and most venerable dishrags. Alas, Redwall will never see it wipe another plate.
A man who has broken with his past feels a different man. He will not feel it a shame to confess his past wrongs, for the simple reason that these wrongs do not touch him at all.
I may as well tell you, here and now, that if you are going about the place thinking things pretty, you will never make a modern poet. Be poignant, man, be poignant!
Maybe that's why a broken machine always makes me a little sad, because it isn't able to do what it was meant to do...Maybe it's the same with people," Hugo continued. "If you lose your purpose...it's like you're broken.
I don't think about losing or worry about losing. I'm not afraid to let it go and I don't care if you beat me. If you do, that means you were the better man, but only elite fighters can beat me. There can't be shame in losing because you are up against great competition and there's always that chance.
A woman always has her man, but the man unconsciously leans on his roots, his heritage. He feels like an orphan without his parents.
The protagonist in 'Deacon Blues' is a triple-L loser - an L-L-L Loser. It's not so much about a guy who achieves his dream but about a broken dream of a broken man living a broken life.
The faithful man perceives nothing less than opportunity in difficulties. Flowing through his spine, faith and courage work together: Such a man does not fear losing his life, thus he will risk losing it at times in order to empower it. By this he actually values his life more than the man who fears losing his life. It is much like leaping from a window in order to avoid a fire yet in that most crucial moment knowing that God will appear to catch you.
Genius is answerable only to itself; it is the sole judge of the means, since it alone knows the end; thus genius must consider itself as above the law, for it is the task of genius to remake the law; moreover the man who frees himself from his time and place may take everything, hazard everything, for everything is his by right.
For who can wonder that man should feel a vague belief in tales of disembodied spirits wandering through those places which they once dearly affected, when he himself, scarcely less separated from his old world than they, is for ever lingering upon past emotions and bygone times, and hovering, the ghost of his former self, about the places and people that warmed his heart of old?
Look at me, he said to her. His arms and legs jerked. Look at me. You got your wish. I have learned how to love. And it’s a terrible thing. I’m broken. My heart is broken. Help me. The old woman turned and hobbled away. Come back, thought Edward. Fix me
I had to stop linking every single thing that happened to me with Kennedy. Realization dawned then, that he was still my default. Over the past three years, we’d become each other’s habit. And though he’d broken his habit of me when he walked away, I’d not broken my habit of him. I was still tethering him to my present, to my future. The truth was, he now belonged only to my past, and it was time I began to accept it, as much as it hurt to do so.
The Young Man came to the Old Man seeking counsel. I broke something, Old Man. How badly is it broken? It's in a million little pieces. I'm afraid I can't help you. Why? There's nothing you can do. Why? It can't be fixed. Why? It's broken beyond repair. It's in a million little pieces.
First of all, 'Sarkar' is not an underworld film. It's about a man at the head of a feudal set-up in the middle of a cosmopolitan city, where he almost runs a parallel government largely due to his personal charisma. And the film is about his friends and enemies and his family.
Hugo attacked me." Clary tried not to wince as the astringent liquid stung her wounds. Hugo?" Luke blinked. Hodge's bird. I think it was his bird, anyway. Maybe it was Valentine's." Hugin," Luke said softly. "Hugin and Munin were Valentine's pet birds. Their names mean 'Thought' and 'Memory.'" Well they should mean 'Attack' and 'Kill,'" said Clary. "Hugo almost tore my eyes out.
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