A Quote by John Morrison
Rick Rude is the reason I even got abs in the first place. I was just a fan of the way he did things. He was the kind of guy who would walk into a room and automatically take control.
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"What kind of world do we live in? Why are we applauding this guy's abs?" I mean, no offense to Michael Phelps. We like him. But he's not smart. He hasn't invented anything or saved people's lives. He's a guy with abs, and we celebrate these abs.
When I studied computer science at Duke University in the first half of the 1980s, I had professors who treated women differently than men. I kind of got used to it. At Microsoft, I had to use my elbows and make sure I spoke up at the table, but it was an incredibly meritocratic place. Outside, in the industry, I would feel the sexism. I'd walk into a room and until I proved my worth, everyone would assume that the guy presenting with me had credibility and I didn't.
I was a Puma guy for a while. When System got signed, we got a deal with Puma, and they would just give me carte blanche, bro. I would walk into the Puma office and they would just give me whatever I wanted. I would just take it. I'd walk out with boxes and boxes, so I had every color, every style that I wore.
When I worked in those offices, it was just irritating to me that somebody sat there and designed this place, never thinking that you would walk from here to there, and they didn't care. The one guy designs it, gives it to the other guy, he looks at it; no one thinks about all the people that gotta walk through it. So I think the best way to show those banal moments is to be just flat and wide.
I'm not much of a Rick Moody fan, but I want to be a fan for the Rick Moody I thought might appear after his first two novels, 'Garden State' (1992) and 'The Ice Storm' (1994).
I can only control what I can control at the end of the day, so some things you just can't allow to take your head the other way, some things happen for a reason.
I'm at the doctor's office. I'm in the waiting room. And there's this guy on his cell phone, talking really loud. Does he think he owns the place? Apparently. I think this is so offensive. But you have to remember: It doesn't take a cell phone to make people rude. People were rude before there were cell phones.
I guess that's what I was: a set of abs. And they lit the abs and shot the abs and sent the abs on their way. The photographer didn't look at my face once. I was humiliated.
I know it's bad to generalize, but when you think about billionaires, you just think this guy is going to walk into a room and just demand things to be a certain way.
Paris is a beautiful city to walk around in. And, you know, all the obvious things: I like the museums, I like the theater, I like the dance. And it's manageable. The food's good. I know a lot of interesting people here. I lived in Boston for 50 years or more. Wherever I am, I'm usually holed up most of the time in the editing room, and so, when I leave the editing room, even if I just take a walk, it's gorgeous. And I walk everywhere. I'm a victim of the seduction of Paris.
You take for granted that you can walk. You do it every day, and then suddenly you can't walk, and you have to remember, 'How did I get out of this chair and start walking in the first place?'
The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
I remember telling myself when I got to start having artist opportunities, 'Let yourself be a fan, because you are. The minute that you walk in a room with Carrie Underwood, and you're too cool to freak out, you need to check yourself.' I just let myself be a fan.
One of the best things about life—a reason not to go blindly after one goal and one goal only—is that sometimes it will take you to something that is way cooler than anything you would have consciously set out to do in the first place.
The truth of why I used to listen to Arrested Development on my Walkman was because if I didn't, it would take me 20 minutes to walk to school. If I did, it took me 15. That's the reason I loved it. I just had more of a kick in my step, more of a bounce, so I'd walk quicker.
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