A Quote by John Mulaney

I just watched a ton of comedy and saw a ton of different styles, and eventually you think, 'Oh, yeah, I could be like that.' — © John Mulaney
I just watched a ton of comedy and saw a ton of different styles, and eventually you think, 'Oh, yeah, I could be like that.'
To develop your own voice, you have to keep writing a ton, and this is something where I think Twitter is helpful. I use it to write a ton of jokes. You have to write a ton of bad stuff before you know what you're good at. And that's what some people I think have trouble with, the thought of getting past the bad stuff.
I have a ton of fun, I mean luckily I've been balancing a ton of projects for a lot of years now, and I'm better when I'm busy and I just do my job in a way where I really totally compartmentalize.
There aren't a ton of trans people in general, so in any vocation there's probably not going to be a ton of trans people. So I've been thinking about what me doing stand-up or me doing comedy means in terms of representation.
What's cool about renting is that you don't care about your house getting destroyed. So I think that is the number-one thing. Just going "Sure, you can jump off the roof. I think that's safe! Let's just paint on the walls! I bet the beer bottle will break before it shatters the window!" Not caring about the environment is a plus. And a ton of booze. And underage kids. That just ups the excitement value of the party, like, "Oh my God, we could all go to prison."
There's a ton of good art and music and writing out there offline among a ton of trash, and the same goes with what's online.
You make a ton of progress by making a ton of mistakes.
I have learned a ton, I have experienced a ton and I wouldn't trade it for anything.
I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.
When I look at that now, all I think about is what a master [David Fincher] I was working with, and all of the things I could have watched and learned - and I didn't. And how, now, in my career, how I would love to have a ton of takes.
I lived in Chicago in the early '80s and did a ton of theater, and then Nick lived there in the '90s and did a ton of theater. Then we both moved to L.A. and did a ton of television.
To be able to have a professional 3-on-3 league and be a part of that, that's been a ton of fun, ton of fun. The fans love it, the players love playing it, and it's just a lot of fun to be around.
Just under the surface I shall be, all together at first, then separate and drift, through all the earth and perhaps in the end through a cliff into the sea, something of me. A ton of worms in an acre, that is a wonderful thought, a ton of worms, I believe it.
My parents' example of a loving, caring relationship, I think, has affected my songwriting a ton and allowed me to start writing love songs that people could connect to without sounding like you're being cheesy, because they're coming from a real place, something that I saw coming up. I think they're a huge influence on my songwriting.
You need that hunger no matter what, because eventually the honeymoon period wears off. Somewhere between printing your business cards that say 'founder' on them and everything else you have to do, you realize, 'Oh, actually this is a ton of work.'
I was definitely a child of the '80s. Cable TV was new. I watched a ton of movies and a ton of TV. HBO would show the same movies over and over again, so I'd watch the same movies over and over again.
I'm really not a journalist, and I don't do a ton of newsy pieces. Occasionally I'll write about something that's going on recently, but I really don't do a ton of stuff that's tied to current events.
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