A Quote by John Paesano

That's such a big part of film scoring that people don't realize. There's a portion of film scoring that's writing the music, but a lot of it is how do you get along with the guy you're working with, how do you interpret what he wants? It's so subjective, you know? Your version of sad is probably different than my version of sad. It's my job to figure out what your vision of sad looks like.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
I would like to do more film scoring, period. Whether it is a big film, a small film, or just anything. I feel like I have a lot to learn, and what better way to do it than on the job?
Sometimes we get sad about things and we don't like to tell other people that we are sad about them. We like to keep it a secret. Or sometimes, we are sad but we really don't know why we are sad, so we say we aren't sad but we really are.
I was playing in a band and was approached to score an independent film. I had never done it, but had written instrumental music, so I figured I could do it. Turns out I loved scoring the film, and took on another couple films before realizing that if I was to be an effective narrative composer, I should study the craft of composition. I stopped taking projects and got a degree in orchestral music composition, and followed that with film scoring studies. Near the end of my degree studies, I started taking on student films as a way to get back into film scoring.
When your sad--like really sad--you only want to be with other people who are sad.
It makes one sad to see the sell-out of President Fox; really, it makes one sad. How sad that the president of a people like the Mexicans lets himself become the puppy dog of the empire.
It makes one sad to see the sell-out of President Fox, really it makes one sad. How sad that the president of a people like the Mexicans lets himself become the puppy dog of the empire.
Onions make me sad, a lot of people don't realize that. When I'm cutting onions, I'm sad. Because the plight of onions, it's sad. But people don't realize I'm actually crying - they think I'm just reacting.
The saddest kind of sad is the sad that tries not to be sad. You know, when sad tries to bite its lip and not cry, and smile and say, "No I'm happy for you"? Thats when it's really sad.
The film room teaches you how to do the job, how to study the game, how to teach the game from film. How to create an advantage for your team by knowing your opponent, and all their plays and tendencies. And there's no better guy in the world that I've been around than Jim O'Brien at breaking down film.
Nobody wants to experience sad events but people like to listen to sad songs. That's the beauty of music.
I always really curious to see how people interpret things. I know my version, and I'm kind of bored with my version so I want to see their version.
You're sad because you're sad. It's psychic. It's the age. It's chemical. Go see a shrink or take a pill, or hug your sadness like an eyeless doll you need to sleep. Well, all children are sad but some get over it. Count your blessings. Better than that, buy a hat. Buy a coat or a pet. Take up dancing to forget.
Most people like the sad songs. Some of the oldest songs known to man are sad. Listening to a voice singing something sad is a really great way to help you to feel sad when you need to.
A lot of people tell me that my paintings are sad-looking, but they're actually more pensive than sad. They're very colorful and that says a lot about my disposition in life, how I'm very hopeful.
I know how sad it is when you won't be able to realize your dream. But do you know what's great about dreams? You can always have a different dream. Just like the way you dream every night in your sleep, you can just dream another dream. You're not throwing your dream away, but having a different dream.
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