A Quote by John Petrucci
The best way to learn sweep picking is to first isolate the right- and left-hand techniques, master them separately and then coordinate them.
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Sweep picking is when the right hand sweeps down and up the strings in succession. But when you do sweep picking, one note rings into the next, and it sounds almost like you're playing a chord, and that's exactly what you don't want.
To play sweep arpeggios correctly, you have to mute each note with the left hand immediately after picking it.
A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.
If you go to a master to study and learn the techniques, you diligently follow all the instructions the master puts upon you. But then comes the time for using the rules in your own way and not being bound by them....You can actually forget the rules because they have been assimilated. You are an artist. Your own innocence now is of one who has become an artist, who has been, as it were, transmuted.... You can't have creativity unless you leave behind the bounded, the fixed, all the rules.
No ideas are harmed in the making of my books, by the way. All I do with my best ideas is run with them, fast as I can, taking notes and occasionally suggesting a left hand turn rather than the right hand one which might have taken us both over a precipice.
Even though you try to put people under control, it is impossible. You cannot do it. The best way to control people is to encourage them to be mischievous. Then they will be in control in a wider sense. To give your sheep or cow a large spacious meadow is the way to control him. So it is with people: first let them do what they want, and watch them. This is the best policy. To ignore them is not good. That is the worst policy. The second worst is trying to control them. The best one is to watch them, just to watch them, without trying to control them.
All boxers are OCD. You can see a bit of OCD in me before I go into the ring. I can't put on my right boot before my left. It's the same with my gloves. It's got to always be the left foot and the left hand first. I would freak out if I did it differently. I have to do the left first because that's the way I done it when I won the Olympics.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
I have no formal guitar training whatsoever, so it's been fun learning sweep-picking techniques. Working on these types of licks has thrown a whole new collection of tricks into the mix.
Three days after my boyfriend left me, I discovered a closetful of his clothes. I thought of what I'd done in the past (bundling them up and sending them, COD: distributing them to my friends) even as I already had the scissors in hand and was cutting his shirts and a pair of pants into teeny pieces. When there was nothing left of his ghost except a large pile of cloth, I decided to learn how to quilt.
The power of your audience is in the hand of the artist now via all the media - Facebook and Twitter and Instagram and all of them - all of the new available techniques to get to people. I think that you are your best publicist and record company and everything right now when starting out.
When two terms belong to the same category, it is proper to construct conjunctive propositions embodying them. Thus a purchaser may say that he bought a left-hand glove and a right- hand glove, but not that he bought a left-hand glove, a right- hand glove, and a pair of gloves. 'She came home in a flood of tears and a sedan-chair' is a well known joke based on the absurdity of conjoining terms of different types. Now the dogma of the Ghost in the Machine does just this. It maintains that there exist both bodies and minds.
Girls learn how to relate to men from the way their fathers love them. And if their fathers really love them and want the very best for them, then they've seen that kind of good behavior that they'd want in a husband.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
The church isn't simply a collection of isolated individuals ... we need to learn again the lesson that a hand is no less a hand for being part of a larger whole, an entire body. The foot is not diminished in its freedom to be a foot by being part of a body which also contains eyes and ears. In fact, hands and feet are most free to be themselves when they coordinate properly with eyes, ears, and everything else. Cutting them off in an effort to make them truly free, truly themselves, would be truly disastrous.
When you play piano, your left hand and right hand are synced. Your brain basically has a clock, so that the right hand knows that 0.3 seconds after I hit this key, I need to hit that one. And the right hand knows not to hit keys that the left hand is playing, so the hands do not collide.
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