A Quote by John Philip Sousa
I can almost always write music; at any hour of the twenty-four, if I put pencil to paper, music comes.
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Many composers use software to write music - programs like Finale or Sibelius. There are also recording programs. I should say I'm still very old-fashioned, I still use pencil and paper. But almost every composer I know does it the 'new way.'
It's weird. I went so far away from music that I had to re-invent music again. I had to come back to music. I had to put music with an agenda down and at least write for my son, write to keep writing, but the idea of having a music career had to go away for a while.
I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.'
To be able to wake up and know I get to do music every single day - arrange music, compose music, write music and to be with my four best friends in the world, and just to go and do performances and to tour, it's honestly a dream come true.
I write music, it’s performed. After all, my music says it all. It doesn’t need historical and hysterical commentaries. In the long run, any words about music are less important than the music.
I have always loved music and singing, and I am open to listen to any type of music. Regardless of my mood, my heart is always set racing when I listen to opera. When I decide which music I want to hear, my choice is almost invariably an opera recording.
People have an affinity towards things, and you don't know where it comes from. Mozart wrote a symphony when he was four, so it's said; the theory is maybe because his father was a conductor, it happened in vitro, and he heard the music before he was born, and by the age of four he knew how to write music.
I've written arrangements for choirs and strings in the past, but I usually write music with my voice or a keyboard and then I'll get someone who is good at writing scores to write it out. Or, if I have the luxury of time, I will go in a room and hear the people perform and then change it through what I hear, not on paper. I can read music OK, but I probably rebelled a little - music changes into something else when you read it.
I was really relieved not to have to drag something in front of the camera; I could use a pencil and paper. A regular pencil and typing paper. That appealed to me.
I always write my novels with music (I don't listened to the music seriously.) Music seems to encourage me.
There is a music for lonely hearts nearly always. If the music dies down there is a silence. Almost the same as the movement of music. To know silence perfectly is to know music.
I like to listen to Congolese music because when I was a kid with my father, he took me to play some tournaments in the car and always put on this music. I always fell asleep with this music so it's good things that I remember.
I've always had music in my life. When I went running, I would put music on. Even before games I'd have music on.
When you write down your ideas you automatically focus your full attention on them. Few if any of us can write one thought and think another at the same time. Thus a pencil and paper make excellent concentration tools.
Composers don't just sit in a room and write things that are in their heads, they actually listen to a lot of music, pop music, jazz, rock and roll, any combination of music that catches their ear.
The thing I hear about a lot is when people over-sharpen their pencil with a single-blade pocket-sharpener and then when they put the pencil to the page, their tip breaks and pencil points always break irregularly. It always gets all jagged and you have to refresh the point. That's a common complaint.
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