A Quote by John Prine
I feel basically good about my career because it's remained constant. What I do has never been especially in vogue or gotten high on the charts. At the same time, I haven't had to stop performing any of my music because it aged in style.
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If I had gotten the parts in 'Scream' or 'I Know What You Did Last Summer,' I would not have been very good in them, and I would've squandered whatever success I had gotten because I wasn't ready for that sort of thing. So I feel grateful for all of the years that I have behind me trying to get traction and a career.
I'm very blessed, mainly because even though my family is mostly in show business, it's really centered around music. My parents were very successful in many ways, but they weren't necessarily top of the charts. We were never wealthy because of music. We always had to work and we always had to struggle a little bit, and I think at the end of the day that's been very good for me, because I have a sense of it being very ephemeral.
The world is an illusion. Why is it unreal? Because none of the knowledge is going to remain permanent, as real knowledge. I had a number of identities; I was a child, I was a boy, I was a teenager, I was a middle-aged man, I was an old man. Like other identities I thought would remain constant, they never remained so. Finally, I became very old. . . So which identity remained honest with me?
I've been using the same editor, thankfully, she's been sticking with me, but I've been doing it full-on guerilla style... I haven't gotten any public sponsor or anything, because I don't want to seem like I'm trying to sell any particular thing.
I've gotten to wear such beautiful clothes and had such a variety and it's just been so nice because I feel like I've grown so much with my style and everything because I've been able to have fun with it. It's really fun for me.
My style of play has always been 'Guardiola style,' so I've not had too many problems. At the same time, he helps you to evolve and to change little things, because it's obviously not exactly the same style of play as at Bilbao.
I never really sought out the captaincy at any stage in my career. Now that it has been handed to me, I would obviously like to do it justice and keep performing well. The day I stop performing will be the day I happily relinquish the role.
I've never been married, and I have no regrets about not starting my own family. I come from a large one, so there are so many people around all the time. I've been very happy, but I've never gotten married. That's about the size of it. I would have been a good father because I've been a father to my brothers' and sisters' children.
I've never thought about any kind of prejudice about women in country music because I never felt like it affected me. I was fortunate enough to come about in a time when I didn't feel that kind of energy at all, and it was always my theory that if you want to play in the same ballgame as the boys, you've got to work as hard as them.
I had been to São Paulo the year before and became pretty well acquainted with the music of composer Antonio Carlos Jobim, I had already started playing that music, and the audience response had been pretty good because those songs are so melodic. I knew it would be something that would be appealing; I wasn't thinking that it would make the top of the pop charts or anything like that.
I thought Italian Vogue had always been considered the most experimental, avant-garde magazine. If I was going to use the same kind of language and the same kind of photos or images on the web site, it would be a disaster because Vogue has its own world, and it could be a little bit cold, you know? We don't give what you call a service.
The '90s period I just miss because it was such a great time and the music was just so electric. Everybody just had to bring their A-game back then because everybody that was, you know, a big influence...they were on the charts. I bring that era with me everywhere I go. I care about every word I sing. I care about every move I make on stage. I care about the fans. I bring that with me to the present time. And then, when you're timeless, you can work in any time.
I do question a band's longevity, because most of my favorite bands only made one or two good albums. After that, I didn't care about them anymore. Sometimes I wonder if people feel the same thing about us. The way I look at it is, if we can continue to inspire ourselves and write really beautiful music that we're proud of, I don't think there's any intention to stop.
I think something about high school students being snobby about how much they have or don't have is particularly absurd because it's not theirs. It's their parents'. So to feel quite good about yourself because you've got the fancy house and car doesn't make any sense - you didn't earn any of that.
In terms of creation, I have never thought of suiting any system or abiding by any rules. In this respect I have remained free. The necessity has grown, as we have gotten bigger, to think about commercial aspects of the business more and more, because of the responsibility we have toward our staff and our factories.
I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy.
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