A Quote by John Robinson
Tony, Stacy and Jay really looked at life completely different and that played into everything that they did, whether it was skating or with their friendships. And for the three of us, we had such a close relationship off screen, that it was so easy to have that on screen.
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Tony and I had a good on and off screen relationship, we are two very different people, but we did share a sense of humor, we now live in different parts of the world but when we find ourselves in the same place it is more or less as if there had been no years in between.
Stacy had this more fluid style. You meet him, he's just such a nice guy. Tony's an awesome guy too, but back then, he was a real aggressive kid and they were in such a different place. Stacy was so sensitive and at the same time so competitive when it came to his skating.
You can't really fake chemistry: either you have it or you don't, and you can't have a relationship on screen if you don't have one off screen. I love Sarah Paulson. I absolutely adore her. My wife has given me full permission to love Sarah Paulson, and I look forward to doing that for the rest of my life.
Most filmmakers looked at it as a medium to palm off sub-standard stuff. I don't look at it like that. Your TV screen, mobile screen is as relevant as a cinema hall.
There're two different kinds of skating. There's the style skating, and there's the trick skating. He (Tony Hawk) does the trick skating so heavy duty, that he can overcome the style skating. There's always the chance that the style skater can come back, but the whole deal really is learning tricks.
I'm an entertainer; I try to give the public what it wants while I'm on the screen, and I'm completely sincere about it. If I don't happen to be a laughing boy off the screen, that doesn't make me a hypocrite or a phony.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
Software unification. So that I no longer care what computing device I pick up, whether it's a laptop or desktop, whether it's one I own or one in a public place, whether it has a small screen or a large screen.
TV is a different animal. I belong on that little screen. The big silver screen, not so much, 'cause I've seen my face up close when it's 25-feet tall. I'm okay as long as you keep me in that little box.
'Paranormal Activity' had fifty versions because it was $250 to reshoot. We'd screen it, see one thing wrong, shoot for an hour, fix it, and then screen it again. You don't have to be disciplined about it. On a regular movie, you have to screen it and think of every problem, reshoot for three days and solve every problem, and then you're done.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.
The biggest surprise watching video on the tiny, 2.5-inch screen (320 by 240 pixels) is completely immersive. Three unexpected factors are at work. First, the picture itself is sharp and vivid, with crisp action that never smears the screen is noticeably brighter than on previous iPods. Second, because the audio is piped directly into your ear sockets, it has much higher fidelity and presence than most peoples TV sets. Finally, remember that a 2.5-inch screen a foot from your face fills as much of your vision as a much larger screen thats across the room.
A lot has been written about Tony Perkins and myself and I figured, Let's get it straight. I had a relationship with Tony for two to three years, but those are only threads in the tapestry of my whole life.
When someone is a musician - trying to make a living off being a public figure - it's really easy for people to see me as a face on a screen that doesn't have a personal life.
When you're flying off soft keys on a touch screen it's a totally different feel, and a lot of muscle memory is lost. There is that delay when you look at the screen and input a command before it's executed, versus something instantaneous when you move the stick.
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