A Quote by John Scofield
I have to work at tunes to get them to come out. Sometimes I'll sit there for four or five hours and get absolutely nothing.
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I breakfast when I get up, lunch when I get the chance. If I never get it, I forget it. Sometimes I dine at seven, sometimes at midnight, sometimes not at all; and I never get to bed until four or five in the morning. Everything depends on the news; the hours make no difference to me.
I've been able to carve out spaces for myself. At Sundance, I'm in the mountains - my property is private. I get on a horse and ride for three, four hours. Sometimes five. I get lost. But when I'm in, I'm in.
I get up at 7:30 and work four hours a day. Nine to twelve in the morning, five to six in the evening. Businessmen would achieve better results if they studied human metabolism. No one works well eight hours a day. No one ought to work more than four hours.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
I know what it means to sit in that chair for four or five hours. For me, it's actually thrilling because I get to know something that I'm not used to. The others do that every working day. It's a real commitment, not only in terms of acting in front of a camera, but just in order to get there.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
I'm doing super quality control. I'll have five tunes that I think are all good - before I would've put out all five tunes but now I'm just putting out that one out of the five that I think is the banger.
When faced with emotional pain, I become still for hours, sometimes days, doing absolutely nothing. It helps me get to the truest source of my suffering.
[Buckminster Fuller] could do four, five hours straight where some people would leave, eat, get a snooze and come back and he's still going. He was like a fireplug.
Can't nobody do what Fetty Wap does. So when I go to the studio, it may be four to five hours max, probably three days out the week. I used to go to the studio for 10 to 15 hours, and I would do five to 10 songs. Now I go for four to five hours and I do, like, 15 to 20 songs. I'm an ad lib guy. Most people know me for my ad libs.
There are maybe four or five teams who will pay whatever they need to pay to get the player. They are huge sums, but that is the world we now live in - when one of those four or five teams want a player, then they usually get them.
It's weird, sometimes I still see myself as just starting out. I tend to forget how much I've been doing, but in the beginning it is about the hustle, being out there and doing the work. Nothing is going to come to you, you have to get out there and do the work, and I've been doing that. But sometimes it's good to take a break and let these things air out. Reflect and take it in.
I get up, I have breakfast, go work out, go to my eye appointment, come home, relax for a couple hours, and then go get my kids from school and start carpooling them around to their different activities and things they do.
Like a lot of us, sometimes I'm preaching to the choir, and sometimes my voice doesn't even get heard at all. Sometimes I think that what I'm writing now might not even have an impact for the next three or four generations. Sometimes I sit there and write, and I think, "It'll be two hundred years before they get what I'm writing about."
I have friends in prison. I send them money. I send them food. They say, 'Bro, get me out of here.' There's nothing I can do. They're five years in on a 20-year sentence. They went in at 16, they'll get out at 36. That's a lifetime.
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