A Quote by John Steinbeck
A guy needs somebody?to be near him. A guy goes nuts if he ain't got nobody. Don't make no difference who the guy is, long's he's with you. I tell ya, I tell ya a guy gets too lonely an' he gets sick.
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Books ain't no good. A guy needs somebody - to be near him. A guy goes nuts if he ain't got nobody.
I'll tell you what. I've been in combat. I've seen it, I've been close to it... and if my unit is danger, and I've got a captured guy, and the guy knows where the enemy is, and I'm looking him in the eye, the guy better tell me. That's all I'm gonna tell you. The guy better tell me. If it's life or death, he's going first.
I still think of that guy I was without a wife or kids, and I still want to entertain that guy. The lonely guy, the frustrated guy, the guy with no money - this is the guy who needs to laugh.
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
I'll tell ya, I'm a genuinely nice guy. I really am. A real nice guy. But I think I'm temperamental.
In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.
I used to tell your mother she looked like Sophia Lauren." He looks at me, frowning, and then it registers. "Oh God, some guy's using that line on you, isn't he?" "Not just 'some guy'." I tell him. "The guy.
Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
If I was to direct a movie about a super-confident guy, first of all I would hate that character. I can do a super-confident guy who crashes and burns and has to rebuild himself as somebody humble. But a super-confident guy that just gets more confident and gets the girl and the money and more success? That's not interesting.
I seen it over an' over—a guy talkin' to another guy and it don't make no difference if he don't hear or understand. The thing is, they're talkin', or they're settin' still not talkin'. It don't make no difference, no difference. [...] George can tell you screwy things, and it don't matter. It's just the talking. It's just bein' with another guy. That's all.
I think, very often, we're addicted to procedurals, those good guy/bad guy shows, and the 'problem' with procedurals is they all follow the same formula: The bad guy does his thing, the good guy goes after him, and in most cases, the good guy figures out who did it and catches him.
If you're out for two years, and you beat one guy with a full-time job, without disrespect, but we're talking about fighting for a world title. You can't just beat a guy that went there to cover some guy that got injured, and then this guy, after two and a half years, gets a title shot.
Wrestling fans are the best, because they are so loyal. You can play on emotion. The good guy gets knocked down, and the bad guy takes advantage. And the good guy comes back from the very bottom to make that explosive comeback and overcome.
If a girl starts out all casual with a guy and she doesn't tell him that she wants a relationship, it will never become a relationship. If you give the guy the impression that casual is okay with you, that's all he'll ever want. Be straight with him from the start. If he gets scared and runs away, he wasn't right for you.
I take that stage, and I'm the same guy backstage as I am on the stage. And you know what that guy is. That guy is a star. That guy is a champion. That guy is the guy that put '205 Live' on the map.
You've got to be willing to look at a guy's face and say I will kill you if I have to. You've got to be willing to look in his face and say that I will stab you, I will hurt you and you can't talk the game, you've got to really act and do the game. Prison is a thing where talking gets you killed. What gets you respect is you do. The guy that you fear is a guy that says nothing.
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