A Quote by John Steinbeck
Why, Tom - us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people - we go on.' 'We take a beatin' all the time.' 'I know.' Ma chuckled. 'Maybe that makes us tough. Rich fellas come up an' they die, an' their kids ain't no good, an' they die out. But, Tom, we keep a-comin'. Don' you fret none, Tom. A different time's comin'.
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Ho! Tom Bombadil, Tom Bombadillo! By water, wood and hill, by reed and willow, By fire, sun and moon, harken now and hear us! Come, Tom Bombadil, for our need is near us!
I think it's quite tough for people like Tom Cruise where you can never really get away from being Tom Cruise in something. You're so familiar to people and people know so much about your life.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
When we get christened or married or die, we drift naturally in the direction of the church. And in moments of crisis, when our spiritual Tom-Tom is no longer telling us what to do, we find ourselves scrabbling at the vicarage door.
People are going to take shots at you for everything you did bad, and they forget about all the good things you did. They do it to everyone. They're going to do it to me, they've done it to all of them. They did it to Tom Landry. Are you kidding me? Tom Landry? With the fedora? Come on. They did it to Tom Landry.
I remember Tom Stoppard saying to me when I came out, 'I feel so sorry for you, because you'll never have children.' These days I would say, 'Well, why not, Tom?'
We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too. The tom-tom cries and the tom-tom laughs. If colored people are pleased, we are glad. If they are not, it doesn't matter either. We build our temples for tomorrow, strong as we know how, and we stand on top of the mountain, free within ourselves.
John Steinbeck's 'The Grapes of Wrath' also speaks urgently to today's concerns: the cratered trail of dreams for Mexican immigrants seeking a promised land in the Western [United States]; the perfidy of banks in foreclosing on poor people's homes; and the insurgent urge of the book's protagonist, Tom Joad, to speak truth to police power. 'Wherever there's a cop beatin' up a guy,' Tom promises, 'I'll be there.' In Salinas, Calif., Ferguson, Mo., or Staten Island, N.Y., Tom's truth goes marching on.
There was a great push and pull of what Blink-128 should sound like all the time. Travis Barker comes from a different background than I do, and Tom DeLonge comes from a different background than either of us in terms of what we write and what we think a song should be. Tom pushes me out of a box that I put myself in.
I wasn’t getting obliterated, but I was getting a kick. I was very method on that. That’s why I’d have gone along with it [if Tom had hit her]. But Tom was like: ‘Oh my God – I hope you don’t murder me!’
I can count on one hand the people who are legendary in my book, and Tom Waits is certainly right at the top. It's funny, though: When I tell people that I like Tom's music, it surprises them.
Tom Tom Club has a whole different attitude and approach, not just musically but in performance. Some people said they liked it.
One of the reasons why language is so sick right now and cliché-ridden and lame and boring and laid-out, and about to go to sleep, is because there aren't a thousand Tom Clarks. If I were writing a prescription right now, you know, if I had my shiny thing here, a stethoscope around my neck, that's the prescription I'd write. Take one thousand Tom Clarks before going to bed.
Tom’s aunt Georgie spoke to me first, and Tom found me through her. At the time, I didn’t actually think Tom was a big enough character to carry a story. If it had to be anyone from Saving Francesca, I thought, it would be Will Trombal or Tara. But the line in Francesca, ‘I want to be the first male in the Mackee family to reach 40 and still have a liver’ stuck with me, and in the end, Tom has been one of the biggest surprises. I’m glad I didn’t kick him out of my head.
We will do whatever it takes to keep Tom Herman at the University of Houston. We're not going to lose Tom Herman because of money. If Tom Herman wants to go to LSU or Texas or Oregon or Baylor or wherever else, we cannot stop him from doing that. But it's not going to be because of money.
Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.
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