A Quote by John Tenniel

By means of tracing-paper I transfer my design to the wood and draw on that. — © John Tenniel
By means of tracing-paper I transfer my design to the wood and draw on that.
All I liked to do when I was a kid was draw. My childhood was like my adult life: drawing pictures with my brother, putting the comics up on the glass window, and tracing the characters onto tracing paper or drawing paper and then coloring them. That and making things was all we ever did.
My father would sit and design furniture and cabinets - he was a carpenter and cabinet maker - and I would ask for my own piece of paper and pencil. And when I would say, 'What should I draw?' he would push a cartoon under my nose and say, 'Here, draw this.' So the cartoon became a kind of focus of attention.
Meta-design is much more difficult than design; it's easier to draw something than to explain how to draw it.
I used to draw and design my own furniture in college but never had the means to build them.
I work with pen and paper. That's my favorite way to write. I love the way the ink sinks into the wood, soaks into the wood pulp. There's something about that process that's so organic.
We really invented the genre of tracing family trees and going back as far as we could on the paper trail. When the paper trail disappeared, we used DNA analysis. The technology was just being invented that allowed you to trace ancestry through DNA.
I would run into the corner store, the bodega, and just grab a paper bag or buy juice - anything just to get a paper bag. And I'd write the words on the paper bag and stuff these ideas in my pocket until I got back. Then I would transfer them into the notebook.
When you draw, you copy the world don't you? You remake it on paper, but it isn't the same. It's yours. No one else could have created it just like that. When I make poems, I use the words we all use, but the order and the sound create a new power. This wood is someone's creation. We stumble through it's tendrils, as if we're crawling through the synapses of his mind.
It's really been a long-term dream of mine to have an alternative to wood-based paper. Over half of the trees cut in the world are cut for paper products.
It smelled like aging wood and creosote, plastic book covers, and old paper. Old paper, which my mom used to say was the smell of time itself.
The transfer is guaranteed to be safe and secure, everyone knows that the transfer has taken place, and nobody can challenge the legitimacy of the transfer. The consequences of this breakthrough are hard to overstate.
The secret to a long-lasting relationship is perpetually imagining the worst. It's a world view tracing back to my Eastern European ancestry and one I draw upon regularly.
It isn't a question of enhancement through design. Whether an editor realizes it or not, design is part of what he does every time he prints the paper.
I did a lot of tests, and I finalized my research. Paper has become a part of my visual vocabulary. You know, paper is an industrial material. You can do almost anything with it. Wood, for example, is much more difficult to adapt to different needs.
That's how I taught myself how to draw - tracing the ads and petting new clothes on the models.
Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.
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