A Quote by John Tesh

Really, at a time when they're debating when and where a nativity scene can be used, this is the kind of stuff we need to have out there - outside of the church. — © John Tesh
Really, at a time when they're debating when and where a nativity scene can be used, this is the kind of stuff we need to have out there - outside of the church.
Really, at a time when theyre debating when and where a nativity scene can be used, this is the kind of stuff we need to have out there - outside of the church.
The ACLU spent this entire holiday season protesting public displays of the nativity scene. Yeah, that's the problem with America right now: Public displays of Christ's birth, that's the problem. It's unbelievable to me. The ACLU will no longer fight for your right to put up a nativity scene, but they'll fight for the right of the local freak who wants to stumble onto the scene and have sex with one of the sheep.
Black Nativity certainly lends itself to reinterpretation. It was kind of designed to be infused with the creativity of whoever is putting it on, and every performance is a little bit different. So, this is definitely my version of Black Nativity. It has its own story, which is a family story. Langston Hughes' Black Nativity informs it, and is contained within it.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
The Christmas season is also that time of year when the business world implores us to consider the material as more important than the spiritual, all in the spirit of 'the holidays.' So we celebrate the arrival on Christmas Day of iPods and DVDs... Then again, maybe this is precisely the kind of seasonal silliness that causes the Christian faithful to shut out the noise and contemplate the real nativity scene and its eternal promise.
The church in the book (and movie) plays a pivotal scene. We looked everywhere .. I mean everywhere! We had to have enough of a front yard area to house a Nativity scenes. And we finally found it .. two miles from our office. And we had been all over Tulsa looking. We were looking in places in Texas, everywhere! And I was in the car with the director and we drove by the church.
One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes.
There was a scene cut out of Big Fat Liar where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.
There was a scene cut out of 'Big Fat Liar' (2002) where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.
I'm from a singing family, but they're not professional singers, only gospel - my grandfather was a minister. I started to sing the music that was out then because my mother used to play it all the time. It was the end of the '50s, the beginning of the '60s. There was Frankie Lyman and the Teenagers, Etta James... We used to sit outside on the stoop and sing. We even used to put our radios and record players outside.
I've been stuck on John Eldredge lately. He's all about being a warrior outside of the church. I hate to think about this kind of stuff - I just like to do it.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.
Higher education holds itself out as a kind of universal church, outside of which there is no salvation.
I really like having a life outside work. I sometimes wish I did more career stuff and was in that Hollywood scene a bit more. But Toronto's my home.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
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