A Quote by John Travolta

I was just thinking of James Dean and Marilyn Monroe and how young they were when they died. I would like to be a pop icon who survives. I would like to be a living icon. — © John Travolta
I was just thinking of James Dean and Marilyn Monroe and how young they were when they died. I would like to be a pop icon who survives. I would like to be a living icon.
Ever since Marilyn Monroe was transformed from one of the prettiest girls you could ever hope to see into an icon, everyone has been trying to repeat that icon. And now the entire industry is filled with, and by and large run by, wannabes.
There's nobody in the world like me. I think every decade has an iconic blonde, like Marilyn Monroe or Princess Diana and, right now, I'm that icon.
Every time I go to Europe, I remember that James Dean never saw Europe, but yet I see his face everywhere. There's James Dean, Humphrey Bogart and Marilyn Monroe - windows of the Champs Elysees, discos in the south of Spain, restaurants in Sweden, t-shirts in Moscow. My life was confused and disoriented for years by his passing. My sense of destiny destroyed - the great films he would have directed, the great performances he would have given, the great humanitarian he would have become, and yet, he's the greatest actor and star I have ever known.
Not to rag on myself, but when people say, 'What does it feel like to be an icon?' I'm like, 'My dog does not think I'm an icon, my cat does not think I am an icon, my cousin does not think I am an icon.' I have a really lovely group of friends, and I just don't think about it.
I don’t feel like a gay icon. I don’t feel like an icon at all. Every single interview was always, ‘What’s it like to play a gay character?’ It would be nice if I was never asked that again. Why isn’t anyone asking the other girls what it’s like to kiss a boy?
I loved the movies and I wanted to be like Marilyn Monroe. I thought she was so glamorous and everyone seemed to love her. I wanted to be like that and I told everyone I would be the next Marilyn Monroe.
An icon means nothing to me. I don't understand what it means to anybody actually. It seems like a word of convenience. It seems to attend to the huge success of certain kinds of movies that I did, but there's no personal utility in being an icon. I don't know what an icon does, except stand in a corner quietly accepting everyone's attention. I like to work, so there's no utility in being an icon.
I looked at all the superstars. What is their different thing? Their hair. Beatles, Elvis, James Dean, James Brown, Marilyn Monroe. I wanted to be a star. I said, 'I have to fix my hair.'
If you go back to the hood in America, I think most of them look at me like an icon. An icon is somebody they wanna be. Somebody who can relate to everything that they're going through at the time. So, I'm definitely an icon.
I would never say I was an icon, but so many people have said I am, so I suppose I am. I mean, I can't not be what everyone says I am. But I don't feel like an icon.
I ain't no icon. It's people like Patti LaBelle, somebody like that's an icon. I'm just Missy. I'm just crazy, that's all.
The trouble is that the hockey stick graph become an icon and deniers reckoned if they could smash the icon, the whole concept of global warming would be destroyed with it.
Just like Marilyn Monroe is a lot of girls' idol, that's how I feel about Dorothy Dandridge. And she any Marilyn were very close friends. She went through a lot, and people told her that she couldn't do certain things, but she didn't let that bother her. She said in her mind that she was going to do them and that nothing was impossible, and she did it. It was so sad... She died from drugs, and drinking as well.
I don't feel like an icon; I don't think of myself as an icon.
I wrote a novel called "Blonde," which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
I wrote a novel called 'Blonde,' which is about Norma Jean Baker, who becomes Marilyn Monroe, which I called a fictitious biography. That uses the material as if it were myth - that Marilyn Monroe is like this mythical figure in our culture.
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