A Quote by John Updike

I was an only child. I needed an alternative to family life - to real life, you could almost say - and cartoons, pictures in a book, the animated movies, seemed to provide it.
My craziest ideas come from cartoons. I approach music by taking that cartoon extreme and the real life extreme and finding somewhere in the middle. The animated element lures people in, but the real-life substance puts the nail in the coffin.
Philip Kitcher has composed the most formidable defense of the secular view of life since Dewey. Unlike almost all of contemporary atheism, Life After Faith is utterly devoid of cartoons and caricatures of religion. It is, instead, a sober and soulful book, an exemplary practice of philosophical reflection. Scrupulous in its argument, elegant in its style, humane in its spirit, it is animated by a stirring aspiration to wisdom. Even as I quarrel with it I admire it.
If I'm really jet-lagged and need to get to sleep, I just try and watch cartoons. As long as it's animated, I don't care - it has to have that distance from real life.
I hate those live action versions of animated cartoons. It ruins everything, the whole point of cartoons is to get away from photographs. I mean it would be stupid to say that cartoons are better than photographs but its true.
The child thinks of growing old as an almost obscene calamity, which for some mysterious reason will never happen to itself. All who have passed the age of thirty are joyless grotesques, endlessly fussing about things of no importance and staying alive without, so far as the child can see, having anything to live for. Only child life is real life.
Campy films almost create real-life cartoons.
A real life, a life that leaves a deposit in the shape of something alive.... It's difficult to say what makes a life a real life.... You could also say it depends on a person being identical with himself.
I like that cartoons are now not only animated drawings, they are a way of doing something: 'That song sounds very cartoony', or 'He has a cartoon face'. Like the word 'poetic', which usually means something different than a poem. But most of all cartoons are comforting, that's the real reason I need them.
Cartoons ran into trouble when they became too much like real life images. Cartoons had become poor imitations of the real thing.
The old Rankin-Bass animated specials seemed to exist in a loosely shared reality, which is what attracted me to them. Santa, Snow Miser, Rudolph, Frosty, even the Easter Bunny seemed to be on nodding acquaintance with each other, even if only in cameo appearances in each other's cartoons.
I was kind of raised with the suggestion that I had a duty to do; that life was real, life was earnest. And I hated that, actually. I needed to be liberated, to be told that I could live the life that I wanted to live; that I didn't need a job, or to be shouted at; that I could be myself; that I could be happy.
We could be like a father determined to provide everything for his family. He devotes every energy to that end and succeeds; only then does he discover that what they needed most, to be together as a family, has been neglected. And he reaps sorrow in place of contentment.
If you can accept the flow of life and give in to it, you will be accepting what is real. Only when you accept what is real can you live with it in peace and happiness. The alternative is a struggle that will never end because it is a struggle with the unreal, with a mirage of life instead of life itself.
I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.
There’s a whole psychological reason for those cartoons about good against evil. We have "Superman" and all those other hero people, so that we can go out into life and try to be something. I’ve got most of Disney’s animated movies on video-tapes, and when we watch them. Oh, I could just eat it, eat it. […] Jimmy Cricket, Pinocchio, Mickey Mouse – these are world-known characters. Some of the greatest political figures have come to the United States to meet them.
The truth of the matter is movies are a reflection of life and violence is a real part of life. I don't think you could make movies exclusively where there was no violence.
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