A Quote by John Wayne

Every country in the world loved the folklore of the West--the music, the dress, the excitement, everything that was associated with the opening of a new territory. It took everybody out of their own little world. The cowboy lasted a hundred years, created more songs and prose and poetry than any other folk figure. The closest thing was the Japanese samurai. Now, I wonder who'll continue it.
The chief contribution made by white men of the Americas to the folk songs of the world β€”β€”- the cowboy songs of Texas and the West β€”β€”- are rhythmed to the walk, the trot, and the gallop of horses.
If the country is going to be great, everybody has a gift, and I tell every child I meet, whether they have asked me or not, 'You have greatness inside you, and your job is to figure out what that is, dig it out, and give it to the world. Because the world needs everything, every one of you.'
The subject of Finnish poetry ought to have a special interest for the Japanese student, if only for the reason that Finnish poetry comes more closely in many respects to Japanese poetry than any other form of Western poetry.
I'm a poetry-skipper myself. I don't like to boast, but I have probably skipped more poetry than any other person of my age and weight in this country - make it any other two persons. This doesn't mean that I hate poetry. I don't feel that strongly about it. It only means that those who wish to communicate with me by means of the written word must do so in prose.
I know the polling data shows people have a negative view but if you listen to everything out there, you think, my God. We're in such deep trouble. We created more jobs than every other industrial country in the world combined.
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
There are tons of people in the West who love fiddles, banjos and mandolins. If you got to any cowboy poetry and music gathering those are the instruments they use. It's acoustic music. We don't do that much modern country that has electric guitars and a lot of volume. It's a gentler form of music. It's from the land and comes from the ranchers and farmers.
Everybody has a responsibility for what they put out into the world. Rather than trying to figure out what other people should be doing, work on your own interactions in the world and whatever influence they have. All of it has an effect.
I find in my poetry and prose the rhythms and imagery of the best - I mean, when I'm at my best - of the good Southern black preachers. The lyricism of the spirituals and the directness of gospel songs and the mystery of blues are in my music or in my poetry and prose, or I missed everything.
Folks out in the country couldn't afford to pay for anybody else to make music. They had to make their own. So the peasantry had their music, and it was about a hundred years ago given the name "Folk music".
Every time I tried writing my own songs, they would come out very country. I couldn't fight it, and the more I listened to country music, the more I loved it, and it just became very natural.
Without investments in research and science that will create the next Apple, create the next new innovation that will sell products around the world, we will lose. If we're not training engineers to make sure that they are equipped here in this country, then companies won't come here. Those investments are what's going to help to make sure that we continue to lead this world economy not just next year, but 10 years from now, 50 years from now, a hundred years from now.
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
Olympics are probably the most important thing for Russians than any other athletes in the whole world. Since I was a little kid and since everybody was a little kid, their dream was playing in Olympic Games, especially if we have a chance to represent our country in Sochi, it's unbelievable and it's going to be a great thing.
Certainly for me prose has a dilatory capacity, insofar as I don't trust my abilities in prose. I imagine I could have done the same thing in poetry, but sometimes I feel more fluent in poetry than in prose, and as a consequence perhaps I might pass too quickly by a thing that I might, in prose, have struggled merely to articulate. That struggle creates space, and it seems to me a particular kind of space into which memory flows easily. I suspect I think better in poetry, however.
Songwriters I've always been drawn to are people who deal with something of depth in the lyric writing. ...I've always been influenced by the folk song, the storytelling tradition in folk music. And so for years I wrote mostly story songs. I still do that, but as I've gone on, it's gotten a little more personal. I used to write mostly in the third person. I write a little more in the first person now.
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