A Quote by Johnny Marr

Occasionally, a great band would come along, like Blondie or OutKast who could be pop and bring interesting ideas into the mainstream at the same time. That's now gone, because of this weird mutation of pop, rap, R&B, bad rave, and supposedly soulful singing on top of it.
K-pop is a weird term because K-pop has everything - rap records - it's very pop-sounding; there are really boy-band-sounding records.
Right now I'm singing along to books on tape. I typically pop in something like Stephen King's 'The Stand,' and I love singing along to that kind of stuff.
You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
People find it hard to place me. I'm doing pop, but I'm this weird quirky Dane that used to be in a punk band. And she's singing about being messed up but at the same time she seems normal? I don't know.
I really like Howler and an American band on Sub Pop called Jaill. There will always be new bands that I like, it's always been that way. I still go out to shows. One thing I don't like now is this idea that all singing needs to be expressed at maximum volume with so much bullshit sentimentality - it's pervading regular pop music.
I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.
I feel like I'm doing something in Atlanta that nobody ever did as far as rap. If it happens to end up on the top 40 or the pop charts, it doesn't mean I meant to go pop. It's just where the music took me. It started at the bottom, and it rises.
I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.
One Direction. Proper pop band. There has to be a band that people want to scream at. I don't think I've ever behaved like a pop star.
You could split hairs and bring up words like 'doo-wop' and terms like 'soul' or 'R&B', but I think pop music is what you want it to be - that's why it's pop.
Most magazines have become wallpaper, they're all the same, all the same celebrities. It's really an abysmal time in American journalism right now. But occasionally one story or two will pop out.
I personally don't like to draw a line between 'K-pop' and pop music, but I do think it is a good time for K-pop artists to be shown to the world, because the world is just ready for it.
What's when you rap and don't appreciate the art? What's when you sell out just to get a start? What's when you make bullshit just for the charts? What's when you rap, but it's not from the heart? What's when you're hardcore, then you turn pop? When you steal ideas to get props? When you sell out to be on top? What's when you front like you're hard, but you're not? That's a gimmick.
I feel like this: When you call me in to do something with you, you must want me to do soul-singing. Because you know I'm a soul singer. Don't ask me to come in and rap. And don't ask me to come in and sing pop.
Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
It's interesting, because as a musician, I don't feel like I need to be on the top of the pop charts.
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