A Quote by Johnny Van Zant

Every redneck's dream is to write a song and have it go on a fishing show. — © Johnny Van Zant
Every redneck's dream is to write a song and have it go on a fishing show.
Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.
If I hear one of my songs by anybody, it's a dream come true every time for me as a songwriter, because I want to write a song, I want to write a song that the world can sing and will always sing.
Sometimes I dream song ideas. I write a song in my dream, the melody and everything. But then sometimes I can't remember them. I think later on, I probably do.
During fashion week, I dream about fashion; afterwards, I dream about fishing. After fashion week, I always go fishing to wind down.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
It's weird because when you initially write a song, you write it with no understanding that the world is maybe going to hear it one day. So when you go into the studio, you don't see the hundreds of people at a gig or the viewers on TV, you just write a song without any inhibitions or boundaries.
If I feel like I've completely drained every ounce of energy out of me for this song, and I can't go any further with it, then I stop, even if the song is unfinished. Most of the time, when it's finished, it's because I've used every ounce of me to write it.
I try to write down every song that comes to me, even though I know that every song that comes to me isnt a song that I need to sing.
I write when I have to; I write when the song is done and I deal with the idea and I just go with it and I'll become what that song is all about until I have finished it. And when you do that, it makes the song more visual, it makes it more personal.
I try to write down every song that comes to me, even though I know that every song that comes to me isn't a song that I need to sing.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
I don't write a great song every day. I don't write a great song every couple weeks. It comes in such random times.
The dream is everything in the sport of fishing. You dream with every cast of your fly that the shadowy form will finally rise to your fly. You dream as you drop off to sleep at night about the lunker that got loose just as you were about to net it.
Sometimes when you're writing a song, it's work, and you really have to make sure you're kind of pounding out every little piece of it. And then sometimes you write a song, and you turn around and you go, 'How did we do that?'
I came to Nashville in the early '90s, and I thought, 'OK, enough is enough. I write songs; I just don't have the backbone to show it to anybody. I want to go to Nashville and learn how to properly write a song.'
That culture, of looking at catchy music as a negative thing, is weird. It has nothing to do with me, or the music I was into growing up. The Stones and the Beatles only tried to write hits. Every Motown song, every Credence Clearwater song - they were trying to write hits.
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