A Quote by Jon Crosby
I think it would be very scary and very confusing if I didn't understand where people are coming from, but I've felt the exact same way for so many other bands, growing up. It's not really a big deal.
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There are many ways to lead a life. It would always be ideal to have a paycheck coming in. But I really love this fly-by-the-seat-of-the-pants approach. It's scary and wonderful at the same time. I feel very open to many possibilities.
Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."
I must say it was not very inspiring to see that tons of new bands emerged from nowhere and started to play the exact same music as I did. Why would I want to play this type of music, when tons of other bands did, too?
So many people have to struggle for years, very few bands get success with their first record, but I was instantly successful and famous on a very large scale, which was scary.
I think I felt like a regular kid. Growing up in New York, I never felt I was a big deal.
In regards to being female, I don't really think about it in the same way that other people do. I prefer to focus on my job rather than my gender. I'm still amazed that people think it's a big deal.
But I think bands that rolled in with a big attitude, like they were some big deal, I just found that very strange.
With all the technology we're inventing and what they're coming up with scientifically, people are having longer lifetimes. It's scary, but in the same sense it's also very exciting.
If you are aware that people are coming to you to receive your gift and not necessarily to you as the person, it keeps you very humble. Many people make the mistake of confusing the attraction of people to their lives as something that has to do with them as a person or a personality, and this is very dangerous and not true.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
There is a lot of talent and a lot of good things happening and coming from Molenbeek, but unfortunately, it has had to deal with a very, very long time of being ignored, really, and it was very easy, even in the neighbourhood where I grew up, to just fall off the grid, and nobody would notice it.
I think the big thing for Simple Plan is that we were able to keep the band members, the same five guys, the same lineup from the start. That's not easy. We grew up together. We're friends. We come from the same world. We've always had the same dreams and goals. I think we realized, as the years go by, how precious it is to have that, to build that, to see so many bands break up... it makes us realize how different we are to all that. We're really proud of that.
Steven Soderbergh really likes Irréversible, that's about all I can tell you. About the making, well, it was a very particular situation, because those people all know each other, and they're all big stars. I felt like the little French guy, really. And I was very flattered to be called on that, of course, but I felt like if I didn't find something to be a little original, different, particular in the movie, I would just disappear.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
I feel very similarly. I didn't have necessarily the same exact kind of dynamic, but that means a lot when people are like that with you. Especially people like that. And I think [Phil Wood] felt a certain responsibility .
I think it's very common that scientists or technical people have an artistic side. Sometimes they are very accomplished musicians. Sometimes they have very fine tastes according to art or design. And often, they've spent a big chunk of their childhood or they're growing-up years trying to get in very good at those activities.
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