A Quote by Jon Gordon

We still talk about [school band]. Almost 40 years later. It's like people are talking about, "Man we need to have a morning band reunion". — © Jon Gordon
We still talk about [school band]. Almost 40 years later. It's like people are talking about, "Man we need to have a morning band reunion".
I like myself. I think I'm cool. But I think when you're in a band you take on a role within the band, and I think people over the course of years can identify those roles as almost being bigger than just the individual. I don't know. It's kind of hard to talk about.
Usually when I start a new project there's a fear of the unknown; maybe it's a band I've never been in the studio with before. People are so different. It's almost like you need to go through the process, discover and unlock what it is that makes that band that band. And a lot of times they don't know it.
If we're still talking about the same thing 40 or 50 years later, then that means we're not doing anything about it.
When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.
I didn't want to be 40 or 50 years old and still playing clubs, I didn't feel like I was making any progress, and I actually gave the band notice at one point. I began to have doubts about my abilities.
Twenty years later, twenty years after I joined the women's movement, we're still talking about the same issues. We're still talking about reproductive rights for women, and we're still talking about getting equal pay for women. And that's just frustrating.
I was really running a music school back then, because my band wasn't making any money. I keep talking about money, because most people don't understand the part of money in running a band.
We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.
I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
I still love 'The Cure' more than almost any other band. But they were really, truly like the first band that I really loved and felt was mine, you know. At a pivotal time in my life when I was 13, 14 years old.
What's cool about indie rock is that one band can do effectively the same thing as another band, and one band nails it, and the other one doesn't. I like that elusiveness.
My friend and I were talking about the band Limp Wrist, and how cool that name is, so we started bouncing other queer-punk band names off each other. The first one I thought of was The Power Bottoms, which I later shortened to Power Bottom.
The key thing about LCD Soundsystem is that people always wanted this band to exist. For years, it was glaringly obvious that a band like this should exist, and people were impatiently waiting for them to show up.
I was in every band class I could get in, like after school jazz band and marching band, and that's where I really learned to read music from elementary all the way through junior high and high school.
When we talk about economic growth, we're not talking about bringing a bunch of companies in that can make a bunch of bucks and hope they spend 'em in our city. We're talking about creating jobs, creating new companies and then we move from there to talk about cooperatives which can become some of those jobs, some of the solidarity economy where we can begin to band together people so they'll understand that a job is not a single individual affair but a collective affair.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
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