A Quote by Jonathan Bailey

I remember seeing Oliver!' when I was six and having vertigo in the theatre - I experience that even when I go to theatres now. — © Jonathan Bailey
I remember seeing Oliver!' when I was six and having vertigo in the theatre - I experience that even when I go to theatres now.
The experience of seeing a surf movie in the 1970s, as a teenager, and the energy in those theatres, was amazing. It was the only way to see people surfing. These guys would go out and make these surf movies and bring them to four-wall theatres. It was an incredible experience that I'll never forget.
I can remember, actually, seeing the film 'Oliver!' and understanding so badly that I wanted to play that part, but that I would never be able to because I was a 'girl' and Oliver was a 'boy.'
I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
I remember having no money and debating whether I should go get fast food or eat at Mom's for free. Now I'm going to these fancy places on vacation and ordering room service. I treat myself because I remember not having it.
My dad was a mechanical engineer and a drummer. We had no money, but I never felt we had no money, and that's what I remember now, having my own child. I think, 'Oh so what?' Kids don't go around the house seeing what's wrong with it.
As far as the theatrical experience is concerned, I will be highly disappointed if that goes away. I have grown up watching films in theatres so that community experience should never go.
I remember, in middle school, we did the musical 'Oliver.' I loved the movie, and I always wanted to play Oliver. It might not have been stated, but the boys auditioned for Oliver, and the girls auditioned for Nancy. But we also did a play called 'Li'l Abner,' and I was really excited that they let me put on a suit and a fake mustache.
I got taken to see Oliver!' by my Nana when I was five and I remember the experience so viscerally. And I just said to her, 'This is what I want to do!'
People should go to the works and experience them. Because just having an idea or picture in mind is absolutely not the experience that's necessary. Even just landing in Albuquerque or Salt Lake City or Las Vegas was immediately part of the experience. And then you'd get in a car from the airport and take these very long trips - in Michael Heizer's case, it was three hours by car to get to his work. And then there's walking around and into the piece and seeing it from different angles. The kinetic experience of being a part of it physically was very important for me.
I think theatres will always remain a sacred place where people go for something live and experience things live, which is very different than the experience of film.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
In my childhood, I used to go to theatres to watch independent singers' outing on screen. I used to be excited about how different they sound in a video and at a theatre.
I trained in the theatre and I love the theatre. I get such a thrill seeing anything in the theatre.
There are lots of young vital playwrights who are experimenting, and these are the plays that people who are interested in the theatre should see. They should go off Broadway. They should go to the cafe theatres and see the experiments that are being made.
If you love theatre, do theatre wherever you can, because theatre is theatre, and you can experience it anywhere.
Again, I want to give credit where credit is due to our voice director, Collette Sunderman, who is someone that works out an incredible juggling act. I refer to it as juggling cats with vertigo, and the cats don't have vertigo, but the juggler has vertigo.
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