A Quote by Jonathan Lethem

I tend to think of myself as a highly emotional writer. It's all coming out of the deepest feelings, out of dreams, out of the unconscious. — © Jonathan Lethem
I tend to think of myself as a highly emotional writer. It's all coming out of the deepest feelings, out of dreams, out of the unconscious.
I do have a lot of references coming out of the '60s, '70s, and '80s, but I don't consciously think, "I'm going to put this here and this there." It comes out of my unconscious, and I don't want it to be just retro.
I've always expressed myself best through writing. I've gotten out all of my deepest feelings that way for as long as I can remember.
Elephants are highly emotional. Whatever they are feeling, they let it out immediately, and the histrionics are over and forgotten in a moment, lasting no longer than the cloud formations that are constantly coming apart and re-forming overhead. There is no guile in pachyderms.
There is a great quote from a female writer. She said, 'If you don't break out in a sweat of fear when you write, you are not writing well enough. I tend to agree. I think my best pictures come when I push myself.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
The answer is dreams. Dreaming on and on. Entering the world of dreams and never coming out. Living in dreams for the rest of time.
If your creativity comes out of your silence, out of your Zen, out of your meditations, then it is authentic, original. If it comes only as an occupation because you are feeling lost and there is nothing to do - a long holiday, so you start doing something... That is not coming out of your silences, it is coming out of your crazy mind.
I think that everybody that's coming out to Warped Tour, when they come to see the show, they're always like; let's go see that band that band that band and... that girl. I think that I tend to be that girl sometimes and I think that it's cool that I get to hang out with this Summer camp of smelly boys.
Sometimes I think as an artist you tend to go toward the heartbreak and the sadness because those are the deepest and heaviest emotions you can pull out as an entertainer and as a singer.
I know the struggle from the inside out and I would never be so bold as to call myself a writer. I think that is what other people call you. But I consider myself a member of a community in Salt Lake City, in Utah, in the American West, in this country. And writing is what I do. That is the tool out of which I can express my love.
I think there's a time as a writer when you want to see the best things in life, and you go out wherever you go with your dreams as a writer or a composer.
When I came out, I thought coming out meant giving up a marriage and a family. That was, to me, the most difficult part of the coming-out process.
I tend to watch a lot of lower-budget movies to find out what's doing down there and find out who's coming up.
Poetry comes to me out of thin air or out of my unconscious mind. It's sort of the way dreams come to us and the way that we get knowledge from them, through television, old movies, which I watch a lot of. Lines of dialogue suddenly seem to be part of a poem.
The best piece of advice I ever received about being a writer came from my brother Lee. I was just starting out and he told me that if I wanted to have a long career, I had to be versatile, that I shouldn't just think of myself in one way, because there would come a time when maybe that one thing wasn't working out for me - and I'd still want to earn a living as a writer.
I agree with the idea of cutting [budget], but it should all be coming out of entitlements for the affluent and not out of domestic discretionary, which is welfare, education, all the stuff the government does, parks, FBI, and it shouldn't be coming out of Medicaid.
This site uses cookies to ensure you get the best experience. More info...
Got it!