A Quote by Jonathan Meiburg
The nice thing about being a band that nobody knows about is that you can do whatever you want, you know? Without catching hell for it. That's sort of how we felt about the re-recording, too. I thought, "Well, you know a few people noticed this record the first time around but not so many will really protest if we do it again."
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The nice thing about being a band that nobody knows about is that you can do whatever you want.
Philosophy wasn't about facts, it was about ideas. My first essay title was something like: 'How can you know what other people are thinking?' I thought, 'Wow, what an amazing thing.' I really thought deeply for the first time.
Even in this case, whatever it is, it's about [Barack] Obama. "How did Obama do at the memorial? Did Obama come off well? Will Obama's poll numbers go up? Did he really reach people?" The hell that there are 53 people dead. Nobody cares about them, like nobody cared about the four dead in Benghazi. All the media cared about, how did Obama do?
There are so many ways of posturing that people associate with being a writer. They imagine you wearing a beret and drinking only red wine and being full of yourself, and so, for a long time, the way I felt about writing was too private. I felt it too important and didn't want to be teased about it. So I lied about it.
I've carried a gun for 10 years. I've carried them in the locker room, and nobody really knows about it. I know how to handle myself, and I stow it away where nobody really knows about it.
As far as sometimes being involved with different demonstrations, I did an anti-war protest in San Fran in January, and I'm standing there, amongst all these people, and it's this great thing to see people being active and actually standing up for what they believe in and still letting the government know that there are people who will still sacrifice a portion of their day to stand up for what they care about, but I'm just thinking to myself, "God, man, these protests have been going on throughout I-don't-even-know-how-many years, and here we are again."
Sadly, an average service that's well marketed will always generate massively more money, than a great service, which too few people know about. Think about it: People can't hire you, if they don't know you exist - regardless of how amazing you are.
For the record, this isn’t a male/female thing. It’s a people thing. You talk about men being cold...you should see women from my standpoint. We’re talking the Arctic tundra would be warmer. Believe me, you don’t want to know my vantage point on your gender. As a man, if I grabbed your breasts, I’d be arrested. Any idea how many women have felt free to grab my crotch at will? (Acheron)
I think the reason that a lot of people have to have a lot of people around is just about being smart and knowing what you want to talk about. I want people to know who I am. Respect is a huge thing - especially in my family. ... If you don't respect people, people aren't going to respect you back. It's just about yourself, you respecting others, and hopefully everyone else will follow that and respect you, as well.
The only show I ever really wanted to do was 'SNL.' It was some sort of merging of my talent and my metabolism. It suited who I am and what I do really well, though whatever I was thinking it was, it kept mutating and growing. At first, I didn't even know that the cast would be the thing everybody talked about. We thought it would be the hosts.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
The first time I punched in my name and saw how many sites there were, I thought, that's scary. I got too involved where I got worried and panicked and tried to stop it. But you know what, if I just let it go and not worry about it, then it will be fine. Because it's all about how it makes me feel and I was letting it get to me.
For the first time in a long time I thought about Maman. I felt as if I understood why at the end of her life she had taken a 'fiancé,' why she had played at beginning again. Even there, in that home where lives were fading out, evening was a kind of wistful respite. So close to death, Maman must have felt free then and ready to live it all again. Nobody, nobody had the right to cry over her. And I felt ready to live it all again too.
It felt really radically uncomfortable. And I was really not sure at first about releasing that body of work. But then the more I thought about it, the more I thought that that position, that location, is something that's just sort of interesting in its own right, as an experience, as a process. Again, we're talking about this rubric, this set of rules, this grid that I toss on top of different locations globally. This is what came out of Africa.
Men really disgust me if they don't have a nice smile, nice lips and nice teeth...They have too many disgusting habits - like scratching themselves all the time. And it's really weird how guys think that passing gas is the funniest thing in the world. They love to do that thing in front of girls and laugh about it.
The thing I loved about my old punk band, it wasn't really about being vulnerable, it was about shouting and being fun and being aggressively political, which I thought was really cool and really fit that energy.
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