A Quote by Jordan Wolfson
What gets me excited by the process of making art is how unrelated elements get fused, which is a formal process. The content is the easy part. Putting it together in a way that's cohesive is the challenge.
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It's not easy working with your husband, I'll be straight up about that. But when we work together, we always get great product. It's not easy in the process and as we go along it gets easier, but yeah, it gets a little sticky.
I love the casting process. It's a cliché but I think it's the most important part of the process. I really enjoy it too. I love putting that jigsaw puzzle of people together.
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With Sleater-Kinney, we did a lot of improvisation in our live shows, and even our process of songwriting involved bringing in disparate parts and putting them together to form something cohesive.
I really focus on process as much as anything else: process for how we evaluate players, process for how we make decisions, process even for how we hire people internally, process for how we go about integrating our scouting reports with guys watching tape in the office.
It's part of the film-making business and also part of the creative process - putting all the pieces together to make a movie, so that they all line up. Sometimes it looks like you have a lot of projects lined up, but some of them are in different stages.
Ruskin's much-derided moral theory of art was part of an attempt to show that this human activity, which we value so highly, engaged the whole of human personality. His insistence on the sanctity of nature was part of an attempt to develop Goethe's intuition that form cannot be put together in the mind by an additive process, but is to be deduced from the laws of growth in living organisms, and their resistance to the elements.
It’s a similar feeling from being in a community of punk rockers as a teenager and the feeling I still get today when I’m in a community of skeptical scientists. The idea with both is that you challenge authority, you challenge the dogma. You challenge the doctrine in order to make progress. The thrill of science is the process. It’s a social process. It’s a process of collective discovery. It’s debate, it’s experimentation and it’s verification of claims that might be false. It’s the greatest foundation for a society.
It might sound naive, but for me, you know, for me, the important part is kind of making process. So I'm not super result oriented, and I just, like, kind of getting lost in the process of making something.
Artists have no choice but to express their lives. They have only, and that not always, a choice of process. This process does not change the essential content of their work in art, which can only be their life.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
I grew up on film sets but more around the process of making films. I saw a lot of the editing process and the writing process, which takes years. That really affected me growing up, that side of it.
Of course, the process of curating is different from art making. Exhibition-making is a process that involves collaboration with various participating artists.
How do you actually green the supply chain is a challenge. The easier part is to do what we do; the difficult part is to get all your clients to long process will take time.
What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing.
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