A Quote by Jorge Luis Borges

The central fact of my life has been the existence of words and the possibility of weaving those words into poetry. — © Jorge Luis Borges
The central fact of my life has been the existence of words and the possibility of weaving those words into poetry.
WE DIE. You will never hear those words spoken in a television ad. Yet this central fact of human existence colors our world and how we perceive ourselves within it.
The words 'alone,' 'lonely,' and 'loneliness' are three of the most powerful words in the English language. Those words say that we are human; they are like the words hunger and thirst. But they are not words about the body, they are words about the soul.
If you examine the highest poetry in the light of common sense, you can only say that it is rubbish; and in actual fact you cannot so examine it at all, because there is something in poetry which is not in the words themselves, which is not in the images suggested by the words 'O windy star blown sideways up the sky!' True poetry is itself a magic spell which is a key to the ineffable.
I think poetry bridges text and image. Poetry is visual in its imagery - but it requires close attention to words themselves. Words become jewels in poetry, while they are often tools in other genres.
Some words have to be explicitly uttered, Lenore. Only by actually uttering certain words does one really DO what one SAYS. 'Love' is one of those words, performative words. Some words can literally make things real.
A book is a physical object in a world of physical objects. It is a set of dead symbols. And then the right reader comes along, and the words—or rather the poetry behind the words, for the words themselves are mere symbols—spring to life, and we have a resurrection of the word.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
The advice I continually give to young writers is this, "Learn to paint pictures with words." Not just once upon a time, but ... In the long secret dust of ages, beneath a blue forgotten sky, where trade winds caress the sun bleached shores of unknown realms ... See, as much as there are words in poetry, there is a poetry in words. Use it, stay faithful to the path you have set your heart upon and follow it.
I'm trying to think of myself at a quiet time. I need to do better with a quiet mind because I'm constantly going and I think that's what feeds me. I've been that way my whole life. But I don't think I picture things so much as I talk them through. Words, words, words. Words and melody.
Poetry, I'm often told, is something made of words. I think it really goes the other way around: words are made of poetry.
'Words, Words, Words' was very much its title. It's just words, words, words and trying to show that I can pack as much material into an hour as I possibly could word count-wise.
Have you ever stopped to consider the power of words? Through mere words, wars have started and ended. Tender feelings have been hurt and soothed. Courage has been instilled and fear has been implanted. Lives have been destroyed and others changed for the better. Think back on your own life when words have hurt you deeply or have comforted and given you strength and hope to do better.
I try to find out what there is in the character that in a way, you can't put into words. If I could put it into words, then it wouldn't be a performance. And if I do put it into words, as I play it, I start to get boxed in by those words.
My musical instrument is Hebrew and, to me, this is the most important fact about my writing. I write in words. I don write in sounds or in shapes or in flavors. I write in words. And my words are Hebrew words.
Even the clearest localization of pain in one area may, in fact, be originating from a distant area .... The reference of pain implies the existence of convergence of inputs within the spinal cord. This leads to the necessary involvement in central neural circuits in the simplest of peripheral disorders. It also leads to the possibility that the basic disorder is entirely central.
Words are delicate instruments: How to use them so that, after having read the poem, the taste remaining is not of the words themselves, but of a thought, a situation, a parallel reality? If not used appropriately, words in poetry are like the ugly remains of food after eating. What I mean is that readers will reject words if they don't serve to shift attention from themselves to somewhere else.
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