A Quote by Jorge Luis Borges

A labyrinth of symbols... An invisible labyrinth of time. — © Jorge Luis Borges
A labyrinth of symbols... An invisible labyrinth of time.
I thought of a labyrinth of labyrinths, of one sinuous spreading labyrinth that would encompass the past and the future . . . I felt myself to be, for an unknown period of time, an abstract perceiver of the world.
After all this time, it seems to me like straight and fast is the only way out- but I choose the labyrinth. The labyrinth blows, but I choose it.
It will be easy for us the first time we receive that ball of yarn from Ariadne (love) and then go through all the mazes of the labyrinth (life) and kill the monster. But how many there are who plunge into life (the labyrinth) without taking that precaution?
How will I ever get out of this labyrinth!" In reality, "How will I ever get out of this labyrinth!" were probably not Simon Bolivar's last words (although he did, historically, say them). His last words may have been "Jose! Bring the luggage. They do not want us here." The significant source for "How will I ever get out of this labyrinth!" is also Alaska's source, Gabriel Garcia Marquez's The General in his Labyrinth.
Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.
It's not life or death, the labyrinth. Suffering. Doing wrong and having wrong things happen to you. That's the problem. Bolivar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering?
Wir tappen im Labyrinth unsers Lebenswandels und im Dunkel unserer Forschungen umher: helleAugenblicke erleuchten dabei wie Blitze unsernWeg. We grope about in the labyrinth of our life and in the obscurity of our investigations; bright moments illuminate our path like flashes of lightning.
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
Name me any liquid — except our own blood — that flows more intimately and incessantly through the labyrinth of symbols we have conceived to mark our status as human beings, from the rudest peasant festival to the mystery of the Eucharist.
Progress was a labyrinth ... people plunging blindly in and then rushing wildly back, shouting that they had found it ... the invisible king-the élan vital-the principle of evolution ... writing a book, starting a war, founding a school.
Philosophy [nature] is written in that great book which ever is before our eyes -- I mean the universe -- but we cannot understand it if we do not first learn the language and grasp the symbols in which it is written. The book is written in mathematical language, and the symbols are triangles, circles and other geometrical figures, without whose help it is impossible to comprehend a single word of it; without which one wanders in vain through a dark labyrinth.
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
You can memorize your way through a labyrinth if it is simple enough and you have the time and urge to escape. But the learning is of no use for the next time when the exit will be differently placed.
She said, "It's not life or death, the labyrinth." "Um, okay. So what is it?" "Suffering," she said. "Doing wrong and having wrong things happen to you. That's the problem. Bolivar was talking about the pain, not about the living or dying. How do you get out of the labyrinth of suffering?... Nothing's wrong. But there's always suffering, Pudge. Homework or malaria or having a boyfriend who lives far away when there's a good-looking boy lying next to you. Suffering is universal. It's the one thing Buddhists, Christians, and Muslims are all worried about."
To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.
I choose the labyrinth.
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