A Quote by Joris-Karl Huysmans
At a period when Literature was wont to attribute the grief of living exclusively to the mischances of disappointed love or the jealousy of adulterous deceptions, he had said not a word of these childish maladies, but had sounded those more incurable, more poignant and more profound: wounds that are inflicted by satiety, disillusion and contempt in ruined souls tortured by the present, disgusted with the past, terrified and desperate of the future.
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If only, then, I had been more living out of the present--such a beautiful word...present. The sense of it being, now to me, more beautiful than 'to look forward.
In the past seven years of love-making he had heard the words "I love you" so many times: from the mouths of widows and children, from prostitutes, family friends, travelers, and adulterous wives. Women said "I love you" without his ever speaking. "The more you love someone," he came to think, "the harder it is to tell them." It surprised him that strangers didn't stop each other on the street to say "I love you".
Nabokov, who I loved more than any other writer when I was young, had such contempt for dialogue. When I was younger, I never wrote a word of dialogue because of him. I thought it was a childish part of a novel.
While wounds can be inflicted easily upon those we love, it's often much more difficult to heal them.
Incurable wounds are those inflicted by tongue and eye, by mockery and disdain.
Never had the sky been more studded with stars and more charming, the trees more trembling, the odor of the grass more penetrating; never had the birds fallen asleep among the leaves with a sweeter noise; never had all the harmonies of universal serenity responded more thoroughly to the inward music of love; never had Marius been more captivated, more happy, more ecstatic.
No, really,' I said. 'I think she's great. And I honestly like her about twenty more times now than I did when we were dating. But love needs to have a future. And Sofia and I don't have a future. We've just had a good time sharing the present, that's all.
The more you see, especially being young, the more you see the past, the more you can draw upon that and the more you can make the present and the future. It's how you process the past and at oftentimes in the picture, there are references to certain imagery from certain pictures, and certain novels.
As president, I was more successful; I had more opportunity than as prime minister. Why? I didn't have the power to give orders, to command, but I had the opportunity to call people to volunteer. In my period of presidency, I never heard the word 'no.'
We have had more brilliant Presidents than Cleveland, and one or two who were considerably more profound, but we have never had one, at least since Washington, whose fundamental character was solider and more admirable.
And I know one thing more - that the Europe of the future cannot exist without commemorating all those, regardless of their nationality, who were killed at that time with complete contempt and hate, who were tortured to death, starved, gassed, incinerated, and hanged.
As to the pretty girls who went past, from the day on which I had first known that their cheeks could be kissed, I had become curious about their souls. And the Universe had appeared to me more interesting.
Grief is only the memory of widowed affection. The more intense the delight in the presence of the object, the more poignant must be the impression of the absence.
Another misconception is that if we truly loved someone, we will never finish with our grief, as if continued sorrow is a testimonial to our love. But true love does not need grief to support its truth. Love can last in a healthy and meaningful way, once our grief is dispelled. We can honor our dead more by the quality of our continued living than by our constantly remembering the past.
The time has now come for the nation to turn a new page in Australia's history by righting the wrongs of the past and so moving forward with confidence to the future. We apologise for the laws and policies of successive parliaments and governments that have inflicted profound grief, suffering and loss on these our fellow Australians.
Sometimes we forget that if we do not encourage new work now, we will lose all touch with the work of the past we claim to love. If art is not living in a continuous present, it is living in a museum, only those working now can complete the circuit between the past, present and future energies we call art.
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