A Quote by Jos Buttler

I was worrying about how Mitchell Starc, Mitchell Johnson or Josh Hazlewood would get me out and how I would counter it, but in doing that forgot how I was going to score runs and put pressure on them, which is what I'm good at. I have to be more focussed on myself.
All I can tell you is I played with Johnny Mitchell. Johnny Mitchell was one of the greatest athletic talents I ever played with, but I could never trust him. When the game was on the line and he was supposed to run an out route at 10 yards, he would run an in route at eight and slide to the outside and scream to me that he was open. But it was how he got open that really made me uncomfortable in trusting him.
Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.
I have learned a lot playing in domestic first-class cricket: how to score runs, how to counter situations.
As I've become a professional, I just feel more pressure to produce, to score goals and get assists. I know I'm a good player, but it gives evidence of how good you are if you're able to look at how many passes you've made in a game or how many chances you create. It's in the books. It's become more about stats as I've become a professional.
It would be unthinkable to have a top-ten list of multiple narrative novels that doesn't include David Mitchell. 'Cloud Atlas' is the most obvious choice, but I have opted for Mitchell's slightly lesser known debut, 'Ghostwritten.'
In the past, I was definitely more apt to storing pain away and not worrying about it. But as I get older, it's really about figuring out how to process it, how to feel it, and then also how to use it in my art.
You would be surprised how many people that are very passionate about classical music are deeply involved in Hip Hop. You would think Jazz would be the natural associative, but it's extraordinary what kind of crossed-genre associations we are finding in digital media. And even as I'm talking about it, I find myself speaking very much more about how people are accessing that which, what I do, rather than me being preoccupied trying to market something that I do to them.
If only mortals would learn how great it is to possess divine grace, how beautiful, how noble, how precious. How many riches it hides within itself, how many joys and delights! No one would complain about his cross or about troubles that may happen to him, if he would come to know the scales on which they are weighed when they are distributed to men.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have ever got anything. Like... there was no need to put me in 'Cinderella Man' - there was no need. Why? Just get an American actor - it would've been cheaper, probably.
If I get stuck, I look at a book that tells me how someone else did it. I turn the pages, and then I say, 'Oh, I forgot that bit,' then close the book and carry on. Finally, after you've figured out how to do it, you read how they did it and find out how dumb your solution is and how much more clever and efficient theirs is!
It depends on who's bowling, how is the wicket playing, how I gonna score and stuff like that or how people are trying to get me out, probably that determines how open I am or otherwise how closed I am.
I heard endless conversations between my parents when I was going to sleep about how we would survive, how we would continue. All of them were about trying to make me better.
Asked if he knew how important Stardust would be, Mitchell Parish said he did have a gut feeling that this was a momentous one. But had no idea it would become a standard. You don't sit down and write a standard, he explained. A standard evolves.
Lots of people think I'm telling porky pies when I say how nervous I get about singing. I was good at working out how music was put together, and I was good at being at the back, but if you asked me to sing up front, then I looked like I was going to pass out.
That's a big part of my life - doing things that I'm not prepared to do. Doing things that I don't know how to do, and keep doing them until I get good at them. I always try to put myself out of my comfort zone and out of my depth, and hopefully somewhere along the line I'll catch up.
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