A Quote by Jose Ferrer
The truth is I made a few good movies in the '50s, then went into freefall.
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Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
I've made movies that I thought were good. I've made movies that I thought were okay, but then I was very good. And sometimes you're in a movie and you think, I wish more people saw that - because you're good. And it just works out that the movie gets lost. But that's show business.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I don't find movies interesting. I just want to do the movies that made me interested in getting into movies, and they're few and far between.
Actually, the few good Chinese movies that foreign countries choose to import are Zhang Yimou's, and mine, a few directors, but how many movies can we make in a year? We can only make a few, while they turn them out continuously.
Mainstream Hollywood makes a few good movies a year. And in order to be in one of those, you have to be one of five people. Hollywood makes many bad movies too, which I'm not interested in being a part of. But there are only a few good independent movies a year, and many, many bad ones. I want to be in good movies, and I want people to see them.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
There are the movies that should never be made and resist being made until, through sheer brute force, somebody finally makes it. And then, there are the movies you can't stop from being made because they just want to be made.
When I'm depressed and I feel low thinking that good movies are not made any more, then I put on his movies and I watch them. I laugh and I cry and I have great pleasure.
I made a few movies in Holland for a lot of TV series. I came to Los Angeles and for the last 10 years, I made a lot of feature films - all kinds of low budget action movies for the studios.
Steven's Spielberg is one of the most visually talented and character-oriented directors I've ever worked with. And I learn from him every time I watch one of his movies. Good or bad - and he has made some awful movies - they're never uninteresting. He's made four or five of the greatest movies of all time. Perfect movies, like E.T. or Schindler's List or Saving Private Ryan.
I don't think I've made good movies. I've just made some movies more disgusting than others.
I've made a few independent films now and a few movies with Disney, and I've done TV.
I've made quite a number of movies that I've never even seen and I've made some movies that I thought were good that nobody saw... Sometimes they end up on television.
I've made three musical movies which is pretty good considering that not many are made but I was lucky in other ways. I came along when independent movies were starting to boom.
Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.
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