A Quote by Joseph Campbell

The goal is to live with God like composure on the full rush of energy, like Dionysus riding the leopard, without being torn to pieces. — © Joseph Campbell
The goal is to live with God like composure on the full rush of energy, like Dionysus riding the leopard, without being torn to pieces.
The tremendous world I have inside my head. But how free myself and free it without being torn to pieces. And a thousand times rather be torn to pieces than retain it in me or bury it. That, indeed, is why I am here, that is quite clear to me.
In the west, Apollo and Dionysus strive for victory. Apollo makes the boundary lines that are civilization but that lead to convention, constraint, oppression. Dionysus is energy unbound, mad, callous, destructive, wasteful. Apollo is law, history, tradition, the dignity and safety of custom and form. Dionysus is the new, exhilarating but rude, sweeping all away to begin again. Apollo is a tyrant, Dionysus is a vandal.
If you're not aligned with God, it's hard to recognize yourself as being of God. The way that you get aligned with God is by being like God, being like Source, being like energy. That means understanding how God works.
Being general manager is like being the de facto owner. It's like wearing the crown of 'Restaurant Man' without being 'Restaurant Man.' You're trying to run the business, but you're running the ranch without riding the big horse.
Apollo without Dionysus may indeed be a well-informed, good citizen but he's a dull fellow. He may even be 'cultured,' in the sense one often gets from traditionalist writings in education. . . . But without Dionysus he will never make and remake a culture.
California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
For years I've wanted to live according to everyone else's morals. I've forced myself to live like everyone else, to look like everyone else. I said what was necessary to join together, even when I felt separate. And after all of this, catastrophe came. Now I wander amid the debris, I am lawless, torn to pieces, alone and accepting to be so, resigned to my singularity and to my infirmities. And I must rebuild a truth-after having lived all my life in a sort of lie.
Being a president is like riding a tiger. A man has to keep on riding or he is swallowed.
What is extraordinary about contemporary art is the energy - it has our energy. New energy. Pieces hundreds of years old are beautiful from an aesthetic point of view, but without our modern energy.
You cannot spend your life wanting to be someone else, snipping off pieces of yourself you don't like, and suddenly expect, upon reaching a goal, to be confident, self-accepting, rooted like an oak tree in your being.
Being President is a little bit like riding a tiger. You have to keep riding, or else you will be swallowed up by it!
The god on the cross is a curse on life, a signpost to seek redemption from life; Dionysus cut to pieces is a promise of life: it will be eternally reborn and return again from destruction
I think all religions can agree on certain definitions of God and concepts of God, like God being the god of love, the great 'I am' energy.
This is how your heart gets snagged, like a balloon on a barbed-wire fence, this is where pieces of you get torn away.
Live stage is being made as you go along. You feel the energy. There's nothing like a live audience.
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