A Quote by Joseph D. Pistone
I'm always leery about bumping into somebody. One time I was with my wife in a restaurant, I saw somebody from my undercover days, and I got up and we just walked out.
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Nobody can ever make enough money for as many poor relatives as I've got. Somebody's got a sick kid, or somebody needs an operation, somebody ain't got this, somebody ain't got that. Or to give the kids all a car when they graduate.
There are so many huge roles in the theatre: if you've got the option to play Hedda Gabler on stage, why wouldn't you choose that over a three-line part in a Hollywood film as somebody's maid or somebody's wife or somebody's best friend?
I was at a restaurant and I heard this little voice at a nearby table pipe up and say, 'I believe I will have the chowder.' I got up and walked out into the middle of the restaurant. There was Sterling Holloway just sitting there being Sterling Holloway. Never in a million years would I have imagined that I'd have the honor of filling his shoes. I just regret not going up to him and saying hello.
All my life I've felt like somebody's wife, or somebody's mother or somebody's daughter. Even all the time we were together, I never knew who I was. And that's why I had to go away. And in California, I think I found myself.
We had four guys in the family, so somebody was always hitting somebody or chasing somebody or getting mad or fighting or wrestling - that was just what you did. So when you're the youngest, it's good for you. You figure out real early how to get out of headlocks and holds.
If you've got a wound, and it's just about to heal up, and it's got a nice scab on it, and you think in two or three days, that's gonna be completely healed, then somebody comes along and pokes it with a stick, and it opens up again. And that's what happens with the Ritchie-and-Deep Purple situation.
When somebody brings up a movie (of mine) that I haven't heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, 'Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.' It's real. I really did do that, because someone today remembers it.
Now, people have said that somebody told them that they saw somebody on the railroad bank or saw somebody going over the bank, but no one has ever been able to show any cartridges, any rifle, any pistol, no one has ever found anything other than the evidence about Oswald.
More often, I'm asked to play somebody's mother, somebody's partner, somebody's wife.
One of the many things I love about Daenerys from Game of Thrones is she's given me an opportunity to fly the flag for young girls and women, to be more than just somebody's wife and somebody's girlfriend.
What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is that it could all end tomorrow.
If you hit somebody hard enough, they will give up. You can feel their body go limp and they'll just surrender. So every time I hit somebody, the goal is to knock myself out. I know that if I hit somebody hard enough that I can feel it, it's hurting them 10 times worse.
There was a guy with mental illness in the middle of the street just yelling and hollering. I have a number that I can call - it's not 911 - to tell them, "You need to help this man get out of the street." But you have to be that person, you have to pick up the phone, you have to do it; you can't just walk by and act like they're not people. They're somebody's kid, somebody's dad, somebody's brother.
It is ridiculous that somebody picks up the phone and calls somebody they see on television. Why don't they call somebody in their area? Don't they know about that?
I think one of the problems with being a fiction writer these days is that you can't keep up with the headlines. Things that people would say are absurd occur the next day or they come out of somebody's mouth. There are days I just wanna give up.
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
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