It took me a long time to reach the decision to retire, actually, from the Art Ensemble. But it seemed more important to me to share the vitality of Aikido and the vitality of Zen training with people, even though it would be a smaller number of people, it seemed to give them something that could last and improve their lives.
I'm only involved really right now with the Art Ensemble of Chicago and the Brass Fantasy.
I don't like getting hit for one, although you know I did take Aikido for many years, but Aikido is a different kind of martial art, maybe even a more cerebral art because it's all about redirecting the energies of your opponent instead of trying to bash your opponent's head in effectively, so it's a much more loving art, so I guess I tend that way normally anyway.
I'm going to devote myself full time to securing and then winning a referendum on leaving the E.U.
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd have to devote myself to it full time, so I ended up leaving my job there and went freelance.
When I was young I used to practice a martial art that was a mixture of karate, kung fu, Jujitsu, Yawara Kubotan, Aikido, Okinawan kobudo, Newaza, etc.; now I am just a theoretical samurai or a bushido scholar if you prefer.
The type of Buddhist practices that I talk about in 'The Art of Happiness' have to do with reconditioning one's way of thinking and one's outlook, and one's perception and how one relates to people. That type of thing, any Westerner can practice at any time.
I want considerate people to listen to the voice of Aikido. It is not for correcting others; it is for correcting your own mind. This is Aikido. This is the mission of Aikido and should be your mission.
I was, like, a history major, and I minored in art and Spanish, but I found myself gravitating toward media studies as time went on.
I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.
In spite of my great admiration for individual splendid talents I do not accept the star system. Collective creative effort is the root of our kind of art. That requires ensemble acting and whoever mars that ensemble is committing a crime not only against his comrades but also against the very art of which he is the servant.
Aikido is not an art to fight with enemies and defeat them. It is a way to lead all human beings to live in harmony with each other as though everyone were one family. The secret of aikido is to make yourself become one with the universe and to go along with its natural movements. One who has attained this secret holds the universe in him/herself and can say, 'I am the universe.'
I'm much more Buddhist. I mean, I'm not a Buddhist. I should be so lucky to be a Buddhist, a real Buddhist, but of all the things I investigated, that seems to make the most sense to me.
In 1993, I was working at the Steppenwolf Theatre in Chicago.
An image, a dance step, a song may function from time to time as entertainment, but the root and full practice of the arts lies in the recognition that art is power, an instrument of communion between the self and all that is important, all that is sacred.
I became a full-time writer in 1993 and have been very happy, insofar as anybody is, since.