A Quote by Joseph Wood Krutch
Is it wholly fantastic to admit the possibility that Nature herself strove toward what we call beauty? Face to face with any one of the elaborate flowers which man's cultivation has had nothing to do with, it does not seem fantastic to me. We put survival first. But when we have a margin of safety left over, we expend it in the search for the beautiful. Who can say that Nature does not do the same?
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Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.
Art does not imitate nature, but founds itself on the study of nature, takes from nature the selections which best accord with its own intention, and then bestows on them that which nature does not possess, viz: The mind and soul of man.
Contrary to the ecologists, nature does not stand still and does not maintain the kind of equilibrium that guarantees the survival of any particular species - least of all the survival of her greatest and most fragile product: man.
A word does not say anything
And at the same time it hides everything
Just as the wind that hides the water
Like the flowers that mud hides.
A glance does not say anything
And at the same time it says everything
Like rain on your face Or an old treasure map
A truth does not say anything
And at the same time it hides everything
Like a bonfire that does not go out
Like a stone that is born dust.
If one day you need me, I will be nothing
And at the same time I will be everything
Because in your eyes are my wings
And the shore where I drown.
The scientist does not study nature because it is useful to do so. He studies it because he takes pleasure in it, and he takes pleasure in it because it is beautiful. If nature were not beautiful it would not be worth knowing, and life would not be worth living. I am not speaking, of course, of the beauty which strikes the senses, of the beauty of qualities and appearances. I am far from despising this, but it has nothing to do with science. What I mean is that more intimate beauty which comes from the harmonious order of its parts, and which a pure intelligence can grasp.
Does anything in nature despair except man? An animal with a foot caught in a trap does not seem to despair. It is too busy trying to survive. It is all closed in, to a kind of still, intense waiting. Is this a key? Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass. Let it go.
A look which reveals inward stress adds more beauty to the face, no matter how much tragedy and pain it bespeaks; but the face which, in silence, does not announce hidden mysteries is not beautiful, regardless of the symmetry of its features.
But there are people who take salt with their coffee. They say it gives a tang, a savour, which is peculiar and fascinating. In the same way there are certain places, surrounded by a halo of romance, to which the inevitable disillusionment you experience on seeing them gives a singular spice. You had expected something wholly beautiful and you get an impression which is infinitely more complicated than any that beauty can give you. It is the weakness in the character of a great man which may make him less admirable but certainly more interesting. Nothing had prepared me for Honolulu.
A violent wind does not outlast the morning; a squall of rain does not outlast the day. Such is the course of Nature. And if Nature herself cannot sustain her efforts long, how much less can man!
I find it expressed in various passages of Scripture that the fact that God knows things while in a state of possibility, when their existence belongs to the future, does not change the nature of the possible in any way; that nature remains unchanged; and the knowledge of the realisation of one of several possibilities does not yet effect that realisation. This is likewise one of the fundamental principles of the Law of Moses concerning which there is no doubt nor any dispute.
I first believed without any hesitation in the existence of the soul, and then I wondered about the secret of its nature. I persevered and strove in search of the soul, and found at last that I myself was the cover over my soul!
Man is a phase of nature, and only as he is related to nature does he matter, does he have any account whatever above the dust.
Man is forever the same; the same under every form, in all situations and relations that admit of free and unrestrained exertion. The same regard which you have for yourself, you have for others, for nature, for the invisible ... which you call God.
He leaned up a little and watched her face. Her face would now be, forever, more mysterious and impenetrable than the face of any stranger. Strangers' faces hold no secrets because the imagination does not invest them with any. But the face of a lover is an unknown precisely because it is invested with so much of oneself. It is a mystery, containing, like all mysteries, the possibility of torment.
Sex divorced from love, instead of raising man by taking him away from himself, drags him down to the hall of mirrors where he is always confronted with self. Sex does not care about the person, but about the act. The fig leaf which once was put over the secret parts of man and woman in sculpture is now put over the face. The person does not matter.
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