A Quote by Josh Gad
[ 1600 Penn] is an ensemble comedy about a family. It just happens to utilize the fact that my character is now being forced into this world as a jumping off point. But, in no way is it the crux of the series. It's simply an introduction to the world.
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I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
Something very beautiful happens to people when their world has fallen apart: a humility, a nobility, a higher intelligence emerges at just the point when our knees hit the floor. Perhaps, in a way, that's where humanity is now: about to discover we're not as smart as we thought we were, will be forced by life to surrender our attacks and defenses which avail us of nothing, and finally break through into the collective beauty of who we really are.
I met Jon Lovett, who was just coming off of three years of being a presidential speech writer and had just arrived here to be a comedy writer in Hollywood. I thought he was super green, in terms of this world, but he knows so much about the world that we're attempting to write about.
It's pretty obvious there's a lot of corruption in the world right now. That takes many forms. There's economic, political, religious, social corruption. Just the manipulation that takes place with all the information that people are given, and even just the way the world is presented as this concrete block, this concrete idea that there's not really an alternative at this point in the world. You can't really go off and live your own life off in your own world.
I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
You are the absolute creator of what happens to you. This means now. [...] There is awesome power in knowing this fact. As long as there is even one tiny part of you that thinks the world is doing it to you, the world is going to do it to you. When you know 100% that you create it, you will start influencing the world around you in a much bigger and more positive way.
There were a few verses that I wrote literally on the spot. But the concept was there. It's about being in your own world musically and waking up in the morning and walking outside and being consumed by everything around you. Just being aware of the good things in art and music and life. It's also about how the world is at a boiling point, in a way.
I'd been concerned all along that the character of the president in the West Wing pilot would throw the ensemble out of whack, that that character would simply take up all the oxygen in a room. I wanted to hold off bringing this character in until the last possible moment.
An inert historical fact is any fact about a perfectly ordinary arrangement of matter in the world at some point in the past that is no longer discernible, a fact that has left no footprints at all in the world today.
The world is now multicultural the same way the world is round. It's not a selling point, it's not a 'quirky' feature, it's not a cynical marketing ploy, it's not an artistic statement, it's not even a plot device. It's a fact, like seedless grapes.
I love the idea of doing comedy, whether it's action comedy or just straight comedy. It's such a big, new world for me that I'm starting to realize that any character that I relate to, in any way, shape or form, or that I have any appreciation for, given enough preparation, I can find that person.
I like being the lead but I like being in an ensemble. There are different challenges and dilemmas with both. If you're carrying a film, there's a certain weight, but there are a lot of scenes to explore the character. When you're in an ensemble, you have to convey the entire character in a limited number of scenes.
Ours is a society that has falsely assumed that contribution must mean giving to some specific cause rather than simply giving our best selves. Thus, too many people don't recognize the fact that simply being who they are is contributing significantly to the world. What if simply living your truth, being your best, and fully expressing your strengths, talents, and abilities at whatever you do were sufficient to contribute to the world? I say it is, and we must not overlook the fact that being our best ultimately inspires others and can and does indeed make an impact.
Exclamation points are the most irritating of all. Look! they say, look at what I just said! How amazing is my thought! It is like being forced to watch someone else's small child jumping up and down crazily in the center of the living room shouting to attract attention. If a sentence really has something of importance to say, something quite remarkable, it doesn't need a mark to point it out. And if it is really, after all, a banal sentence needing more zing, the exclamation point simply emphasizes its banality!
The independents are the ones who tend to commit suicide. I'm not against this way of being in the world. Individuals have brought us many treasures. You can't just say that's a bad way of being in the world - it's not. But it's not everyone's way of being in the world.
We live in a violent world, but since the success of films like Pulp Fiction, it seems every movie has some violence in it, and it's now being used as a form of comedy: audiences are now being encouraged to laugh when people get their heads blown off. I just don't like hearing people laugh at violence.
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