A Quote by Josh Peck

Method Man, for him to offer me the spot as the first Jewish member of the Wu Tang Clan, you know, was an honor. — © Josh Peck
Method Man, for him to offer me the spot as the first Jewish member of the Wu Tang Clan, you know, was an honor.
I am a Wu-Tang member and Method Man, he been a Def Squad member way before I was a Wu member. I was like a Wu member but I wasn't official.
I grew up listening to a lot of Snoop Dogg and the Wu-Tang Clan. Actually, I was a huge Wu-Tang fan.
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
I could never be a control freak. If Wu-Tang is a dictatorship, how does every Wu-Tang member have their own contract, their own career, and have put out more albums without me than they've done with me?
I thought that Wu-Tang was the best sword style - the best sword-style of martial arts. And the tongue is like a sword. And so I say that we have the best lyrics, so, therefore, we are the Wu-Tang Clan.
I like the Wu Tang Clan a lot.
Wu-Tang Clan's first album, '36 Chambers,' there wasn't a lot of money given to make that album.
We started playing music because of the Wu-Tang Clan.
Wu-Tang was going through it. They didn't come from great homes or families. They really came from hard beginnings so it just made me reflect on my own situation. If Wu-Tang was able to make it, why can't I?
My first encounter with Wu-Tang Clan came when I ordered six CDs from those throwback catalog orders, from Columbia House or something, and '36 Chambers' was one of them. It was on from then.
I started my career as an assistant for Wu-Tang Clan, then transitioned into urban marketing.
I doubt if you get another Wu-Tang Clan. That might be harder than getting the new Jackson Five
When Wu-Tang came, Wu-Tang was for that era, right there. When Dre had it in the West Coast, it was for that time. Biggie and them, it was for that time.
If I could travel back in time, I'd bring back the entire Wu-Tang Clan.
When I play in Hong Kong I go alternative, from Wu Tang Clan to 'Blue Monday,' and then for the last 45 minutes, if they deserve it, I play beautiful drum 'n' bass.
If you hear people talking about the Golden Era of rap, they're usually talking about the early Wu Tang Clan era and then Nas and Biggie and so on. But for me, it goes back to the '80s - 1986 to 1989.
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