A Quote by Joyce Johnson
media saturation is probably very destructive to art. New movements get overexposed and exhausted before they have a chance to grow, and they turn to ashes in a short time. Some degree of time and obscurity is often very necessary to artists.
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'Ashes of Time' was my third film, and as a young director at that point, it's not very often that you have the chance to make a big martial arts film, so of course I jumped at this opportunity.
But for me it's very difficult to finish music on my own. It's the fear of losing the fun. It's very easy to get a sketch of something or an idea together in a very short time, to try out something new, but to get a five minute track to play out is much harder, at least for me. When I start to construct something, it often ends in frustration.
During a time of surplus, a time of peace before 2001, it was much easier to try and find middle ground. We were running surpluses. But during a time when we're careening into bankruptcy and failing miserably on our foreign policy it's just not the same old "find consensus, go along to get along, be pragmatic, come together" place that it was. I think that some very hard decisions and very hard choices have to be made. They won't be popular, but they're necessary.
My interest in time emerged out of an engagement with the media that I was working with. Film and performance are temporal media. They rely on time. When I'm carrying out a performance, it matters, for example, how long I hold one particular gesture or posture. Seriality is very important too. Performance can be used to dilate time or to repeat time. And video, in turn, has its own time.
Communication is paramount, and what medium or what format you utilize should be a non-issue. In some respects, that has created a barrier for new media, especially web new media, because often times maybe the media itself comes before the concept, before the ideas, and ends up navigating or dictating the outcome.
Any time I get a chance to work with artists that make me inspired and learn new stuff about music - every chance I get, I'll take.
I think that the exchange is very important. Before I did the exhibition in Shanghai, I was a judge for the John Moores Painting Prize and that was very interesting for me, because some of the judges are Chinese and some are British, and we look at the work together. It was fascinating that most of the time we were in complete agreement, but some of the time we were not. People send their works from all over China. For a foreigner, this gave me a very good picture about what is happening in China and its art today.
New media's not very old, hence the word new, so we don't know a lot of things about new media and by the time you've taught it it's probably out of date. I think it's much more beneficial to have an experiential lesson versus a classroom lesson in new media.
You can very often start a new season with a lot more viewers than you had, leaving off the season before. It's a chance to pull the show into a train station, stop the train, and let all these new viewers on, so you can tell a new story. In some ways, a second season is a chance to tell a brand new story that you can wrap up, at the end of it.
Many say that no real avant-garde - which I'll define as a combative group of free-thinking artists - can exist anymore. The media's reach is too vast. New artists and movements get snatched up too quickly.
There is a time you can't turn it back. When a person is very destructive, when they hate you tremendously, you have to disassociate with them.
I was given a chance some time ago, and it changed my life forever. I want to be able to give the same chance to the next generation of artists. There's a new wave coming, and we are going to be a part of it.
When I came back from the military and completed a 4-year degree in 2 1/2 years, I developed the extraordinary habits needed to get a lot done in a very short period of time!
I came over here with $100; it was 1983 and I just ended up staying. New York at that time was very inexpensive and it was very easy to get a job. We lived on Staten Island and you could get cheap rent. It was a good time to be in New York.
I thought that my voyage had come to its end at the last limit of my power, that the path before me was closed, that provisions were exhausted, and the time come to take shelter in a silent obscurity, but I find that thy will knows no end in me, and when old words die out on the tongue, new melodies break forth from the heart, and where the old tracks are lost, new country is revealed with its wonders.
At that time, the academic orientation was rather technical contrary to that of the university, where art theory is very important. The teachers were renowned artists and among the best of that time.
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