A Quote by J.R. Ward
I don't read reviews or take any feedback from anyone. Here's the thing: The stories don't even care what I think about them. They don't listen to anybody! My job is simply to describe what I'm shown in my head so that folks who read the books get an idea of what I'm seeing. As long as that happens, I'm doing my job as best I can.
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It is always sort of unnerving to hear from people who've read my books. I'm not reading any of the reviews and most of my friends haven't read it - they bought it, which is all I frankly care about, but they haven't read it.
I love my job, and I love books. I read anything, including cereal boxes. I care deeply about what people think of my books, and I memorize my reviews. I love to hear from my readers.
The best thing about conceptual poetry is that it doesn’t need to be read. You don’t have to read it. As a matter of fact, you can write books, and you don’t even have to read them. My books, for example, are unreadable. All you need to know is the concept behind them. Here’s every word I spoke for a week. Here’s a year’s worth of weather reports... and without ever having to read these things, you understand them.
I'm not writing to encourage people to read my book or even books in general. That's not my job. My job is to write them. And if people want to read them, that's great.
If you are resolutely determined to make a lawyer of yourself, the thing is more than half done already. It is but a small matter whether you read with anyone or not. I did not read with anyone. Get the books, and read and study them till you understand them in their principal features; and that is the main thing. It is of no consequence to be in a large town while you are reading. I read at New Salem, which never had three hundred people living in it. The books, and your capacity for understanding them, are just the same in all places.
Do the thing itself. Don’t pay much mind to critics or what anyone says about it. Just do it, in any form possible, and watch others doing it. Take it in viscerally, get it by osmosis. Don’t ever read your own reviews, certainly not the good ones.
It's about what the players are doing. My job is facilitate that. My job is to put them in positions to succeed. My job is to listen to their ideas, take them if they're good, quietly push them to the side if they're not. My job is to help them grow.
I don't read reviews. Just because that is something that's directly connected to my job. I'm doing this because I love it, not because I'm necessarily looking for approval or anything like that. To me, it seems that reading reviews - whether they're good ones or bad ones - can only sort of force the person to divorce themselves from the reality of what it is they do for a living. So I don't read reviews.
I just do the job to the best of my ability and then you have to move on. You have to watch things back to learn from them, but I try not to dwell or worry about what people might think. I don't read reviews if I can help it.
I guess it really didn't even dawn on me that you could be a rock critic as a job until I was maybe almost out of college. I knew criticism existed. I read Rolling Stone and Spin. Siskel and Ebert were on television. But I had absolutely no idea how to get that kind of life. And moreover, it didn't interest me that much. I just sort of read normal books growing up. I wasn't that media-conscious. I felt like the one thing I was able to do was to listen to a record and decide whether I liked it.
I don't read newspapers, and I've said I don't watch the news. I love books, but I don't read much. What I do is I get people to read to me, and I put the stories in my head.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
I don't read young adult or children's books, now that my grandchildren are beyond the age of my reading to them. I read reviews, and so I'm aware of what's out there. But I tend not to read the books.
I used to read a lot about myself and the projects I was doing. When I was only acting, I wouldn't read any reviews because I didn't find them to be very helpful.
I'm not one of those writers who insist they don't read reviews and don't care much about them. I do read them, and I do care about them, and they're not always what you want them to be in an ideal world.
Most of life is on-the-job training. Some of the most important things can only be learned in the process of doing them. You do something and you get feedback - about what works and what doesn't. If you don't do anything for fear of doing it wrong, poorly, or badly, you never get any feedback, and therefore you never get to improve.
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